Category Archives for "Uncategorized"

0

Brand design with a bang – Visual cues and consistency across platforms

A lot of people ask me about our brand design and the graphics that accompany these blog posts.

They see the same visual cues on the BNBranding website, in social media posts, in our ads, on video and even on good, old-fashioned post cards, emails and invoices.

They comment about the work on LinkedIn and, yes, they respond to it. Some people have even said, “Wow, that’s really cool. Can you do something like that for my company?”

Of course.

Because the fact is, bold graphics such as these stop people in their tracks. It’s brand design that produces response.

It’s like direct response branding.

As prospects are scrolling quickly through a Facebook feed, they breeze right over all the stuff that looks the same as everything else… Stock photos, charts and graphs, head shots, even stupid cat videos get ignored these days.

They only pause when they see something that “Pops.”

The incongruity of the image or message, relative to everything else they see, creates natural human curiosity. It’s just the way our brains work.

On the other hand, we are wired to ignore the images, sounds and words that are familiar to us.

So familiar words, sounds and imagery do not belong in your advertising efforts.

Thanks to an increasingly fragmented marketing landscape, the need for consistently UNfamiliar visuals is on the rise. There are just so many different marketing tactics these days, it’s hard to get them all aligned into one, cohesive campaign. Most companies lose that “Pop” they could get by maintaining visual consistency across various platforms.

The same goes for sounds. The very best Radio, TV and video campaigns include unique sound cues that tie all the components of the campaign together. For instance, I wrote an award-winning radio campaign for a glass company, and the audio cue couldn’t have been more clear… the squeek of windex on a window.

It was an audible punctuation mark that proved very successful.

Visual punctuation marks, such as the images in our “Be” Campaign, can make small budgets look big. It’s one of the little things that small businesses can do to become iconic brands in their own, little spaces.

Tom Peters, in his book The Little Big Things, says “design mindfulness, even design excellence, should be part of every company’s core values.

Because the look IS the message. Because design is everything.”

Some people seem to think that “branding messages” do not belong on social media or in digital advertising. And that you can’t design a “branding” website that also moves product.

That’s hogwash.

As Peters said, every message out there is branding. You can’t differentiate sales messages or social messages from brand messages. It’s all connected. You might as well make them look that way.

Consistent, unexpected brand design is the easiest way to improve the impact of your messages and leverage your marketing spend.

If you’re not thinking about branding and design aesthetics when posting something on LinkedIn or Instagram, you’re missing a huge opportunity. People will just scroll on by.

If you’re not thinking about design when crafting headlines for your website, you’re not seeing the big picture. People will just click right out.

If you’re not thinking about your brand image when choosing a location or decorating your office space, you’re missing the boat.

Design is just one element of your overall branding efforts. But it’s an important one. Too important to ignore. Because every time you hammer home those visual cues, you move one little step closer to your objective.

If your business needs a stronger visual presence across all marketing channels, give us a call.

Or click here for an inexpensive yin/yang assessment of all your marketing efforts.

 

 

 

 

 

 

 

 

 

 

 

 

 

Same with sounds.

 

 

0

Branding the Olympics – leading by example in sports marketing

 

In the world of sports marketing one event rises above the competition in terms of branding and worldwide audience appeal… the Olympics.

If you’re thinking of sponsoring a sporting event, signing an athlete as as spokesperson, or marketing your own sporting event, you can learn a lot by studying what the International Olympic Committee does.

Every two years there’s a massive new event to be planned, a venue to be built, and a sub-brand to be designed and marketed.

No other brand in sports marketing can match the symbolic power of those five, multi-colored Olympic rings. One could argue that the Olympics, in fact, is one of the world’s strongest, most meaningful brands. Here’s why:

• Differentiation: The Olympics are dramatically different than any other sporting event.

If you’re marketing any kind of event it better be differentiated from all the other events that are vying for people’s time and attention.

The Masters at Augusta National is different than any other golf tournament. The IronMan Triathalon is different than any other endurance race. LeMans is different than any other car race. And the Olympics are compellingly different:

• More variety.  There’s something for everyone during the two-week span of the Olympics, from mainstream running events and soccer games to exotic, high-adrenalin sports like skeleton and common household games like badminton and table tennis. There’s something uniquely engaging about watching garage games performed at such a high level. Everyone’s played ping pong, but not like they do in the Olympics.

• The Olympics are less commercial than other mega-events like the Superbowl or the soccer World Cup. There’s no on-field branding allowed in the Olympics. Even though they pay hundreds of millions for sponsorship rights, you’ll never see a giant VISA banner hung behind the medals stand at the track, or along the boards in the figure skating arena. And the athletes aren’t plastered with logos, ala-Nascar.

• Authenticity: Branding the Olympics so they mean something beyond just winning.

Five, multi-colored, interlocking rings. That’s the official mark of the games that dates back to 1920. As the Olympic Charter states, the rings “represent the union of the five continents and the meeting of athletes from throughout the world at the Olympic Games.”

That’s the literal interpretation of the Olympic logo. But the brand goes much deeper than that.

Olympic competitors take an oath. They swear to uphold the tenets of the Olympic charter and willingly pee in a cup after every event.

They willingly put their own, personal gains aside for two weeks and compete for their countries “in the spirit of friendship and fair play.”

It may seem a little cheesy, a little old fashioned, but that’s a central theme of the Olympic brand. Even though the line between amateur sports and professional sports is now blurred, it’s still relatively pure.

Especially in the winter games. (Even in Canada there can’t be much money in curling.) There are professional track athletes who switch to Bobsled in the winter, just to have a chance at achieving their dream of competing in the Olympics.

The authenticity is obvious in post-event interviews… The athletes are less rehearsed and obviously passionate about their sports, and about the Olympics. You don’t get those canned, banal responses like you do in the NBA or NFL.

At The Games, the Olympic brand always takes precedent over any other type of branding, personal or corporate. So even when you have NHL and NBA stars competing in the Olympics, it’s not about them or their sponsors. It’s about The Games.

You’ll often hear brand managers and consultants talking about “core brand values” and the underlying meaning of great brands. Well, the Olympic Brand means much more than just medal counts and TV ratings. It’s not just winners and losers. It’s national pride and the triumph of the human spirit. It’s the intangible “spirit of the games” that makes it riveting for the audience, and desirable to the corporate world.

The 2012 London games was the most-watched television event in U.S. history. 40 million Americans watched the opening ceremonies, and NBC’s primetime broadcast averaged 31.1 million viewers a night for a total of 219.4 million viewers. Worldwide, the estimated number was 900 million viewers, according to Reuter’s.

By comparison, the most-watched Super Bowl was the 2015 match up between the New England Patriots and Seattle Seahawks. That game drew 114.4 million viewers in the U.S., and an estimated 30-50 million internationally.

In the last 20 years the price tag for an Olympic sponsorship has risen dramatically. NBC paid $775 million for the Sochi games alone, $4.38 Billion for the Olympic broadcast rights through 2020.

No other sporting event commands that kind of attention in the corporate marketing world. You could argue it’s the most desirable brand affiliation on earth. Companies are clamoring to hang their hats on those Olympic Rings.

• Brand Credibility:  A gold-medal history of unscripted, authentic storylines of ordinary people.

It’s always interesting when superstars like Tom Brady or LeBron James win another championship. But those guys are from another planet.

Olympic athletes, and their stories, are far more relatable and compelling for the average Joe or Mary at home.

At the Olympics you find ordinary people pursuing their favorite sports, not for the hundred million-dollar endorsement deals, but for the pure sense of personal accomplishment.

At The Olympics the narrative remains consistent: National pride. Lifelong dreams of glory. Individual triumph over adversity.

Every night for two weeks there are new characters, new story lines, new scenic backdrops, new drama. It’s heroes and underdogs, great feats of strength and stamina juxtaposed with delicate dance moves and tears of joy.

As the San Jose Mercury News put it, “it’s the ultimate reality show.” And we eat it up. It’s human nature.

But not every Olympic story is positive. There has been plenty of heartbreak and unfortunate mishaps in the Olympics over the years… Terrorism in Munich in 1972. The Soviet boycott of the Los Angeles games in 1984. The Tanya Harding thing in 92. A bomb explosion in Atlanta in 1996.

The 2010 Vancouver Games started with a fatal crash in during luge training. And now, for the first time since World War II, a complete postponement of the Games, thanks to COVID 19.

But every time the Games suffer a set-back, the Olympic brand bounces back. The brand is perched on such a high pedestal around the world, it’s almost bullet proof.

Here’s an example: In 1995, the IOC awarded Salt Lake City the Winter Games for 2002.  As it turned out, the decision was fixed. IOC members had taken millions of dollars in bribe money. As a result, the top leaders of the Salt Lake Olympic Committee resigned. Ten members of the IOC were expelled and 10 more were sanctioned.

But the Olympics rose above the fray. By the time the Salt Lake Games commenced the scandal was all but forgotten. Organizers actually raised the price of corporate sponsorships 30 percent.

•  Branding The Olympics — how the games remain relevant after more than 100 years.

There have been hundreds of iconic moments in the history of the modern Olympic Games. Jesse Owens winning Gold in Berlin, in 1936, with Hitler in the stands. Micheal Phelps, with 23 gold medals. The U.S. win over Russia in hockey in 1980.

The stories are what keep the games relevant.

I’m a big fan of the Winter Olympics. I got hooked as a boy when Franz Klammer made his infamous, gold medal downhill run at the Innsbruck Games, and I’ve been watching ever since.

Back then, Klammer’s gold medal run in the downhill was the biggest thing in adrenalin sports. But these days, you have  the X Games, all sorts of hair-raising Red Bull events and a constant barrage of edits on YouTube to pull attention away from Olympic sports.

The Olympics has adapted, and upped its game to keep pace. They added snowoarding events and freestyle jumping, and wisely cut some of the most boring stuff, like the compulsary figures in ice skating.

No doubt about it, there’s plenty of danger in the Olympics.

Try plunging head first down an icy, serpentine track on a sled, at 70 miles per hour, like they do in the Skeleton competition.

Try throwing a quadruple-twisting triple flip on skis.

But that’s not what draws so many viewers or corporate sponsors year after year. It’s the mix of danger and artistry. The skill of an archer and the brute strength of a weight lifter.  It’s the juxtaposition of a 7-foot basketball player parading in next to a tiny little gymnast. It’s small, African nations contending with the big, powerhouse countries.

That’s why the Olympic brand is what it is.

For more marketing lessons on brand credibility, try this post on the Brand Insight Blog.

 

 

0

Naming, rebranding, and the role of your brand origin story.

Origin stories are big business in Hollywood. Millions of people will pay top dollar at the box office to get the back-story on their favorite superhero or sci-fi villain. (The Joker grossed $849 million in just two months.) Unfortunately, brand origin stories are highly underrated and underutilized in the business world.

Let’s say you’re involved in a start-up and you’re pitching your idea to potential investors. They’re going to want to know where you came from. How you got there. And what you’re all about. A well-crafted brand origin story can answer those questions — in dramatic fashion.

A look back helps illuminate the way forward.

Sometimes it’s the founder’s entrepreneurial journey that attracts a tribe of like-minded people and helps get the company off the ground. In other cases it’s the team that triggers success… their past experiences, skill sets, passions or unique insights.

Sometimes it’s the product itself or the timing of the product launch that gives the company traction. Whatever the case may be, that brand origin story should be an important component of your brand narrative.

 

 

 

At BN Branding our clients never come asking for an origin story, but they almost aways need help with one. When they come to us for a brand name and identity, we always start with the brand origin story.

When we dive into the heritage of a company, the reputation of the brand, and the past experience of the key players we often find the DNA of the brand hidden beneath the haze of time, growth and outside influences. A lot of clients are just stuck.  They have lost something they had when they first started their business, but they can’t put their finger on it. That’s why it helps to go back to the very beginning.

Let me give you an example, and answer a question I get all the time about the naming of my own company…

This is the brand origin story of BN Branding…

It begins with my childhood crush on a couple of iconic brands. By the age of seven I was smitten was Tonka trucks and Schwinn bikes.

I really, really, really wanted a Schwinn Sting Ray with the banana seat, sissy bar and a five-speed stick shifter. That never happened, and I’m scarred for life from the years I spent riding a cheaper, embarrassing knock-off that my dad bought at a thrift store.

I’ll never forget the Christmas, some years later, when I finally got a yellow, Schwinn Varsity 10-speed. I had truly grown up… Way beyond the JV sting ray.

The other brand I was passionate about during those wonder years was Head skis. I got a hand-me-down pair from a racer friend of mine, and I was in snow-bound heaven. Head skis are the Schwinn of my winters, to this day.

Fast forward to high school when my infatuation with brands really blossomed. Classroom doodles were detailed recreations of skateboard brands, ski logos and slalom courses. I could draw perfect replicas of the iconic Rossignol R as well as the Sims logo,  G & S, Nordica, Marker and Sun Valley.

My PeeChee was a well-branded work of art and those logos are forever etched in my subconscious.

In Graphic Arts class I channeled that interest quite successfully. I created logos for imaginary companies, silk screened T shirts, ran a letterpress, worked in the dark room developing my own photos and operated an offset press.

I can honestly say I learned a trade. In fact, I printed up a resume, walked into a local print shop and landed my first job, which I desperately needed to pay for my brand-name skateboards, brand-name ski gear and brand-name car.

That print shop was not exactly what you’d call state-of-the-art. Quite the opposite, in fact.  It was an ancient, run-down relic of a by-gone time. It reeked of ink, acetone and darkroom chemicals.

But I loved it.

The big, hand-fed letterpresses were similar to what we had at school, but the type collection was dramatically larger… Row after row of font drawers, each one full of backward letters and punctuation marks just waiting to be magically transformed into wedding invitations, event flyers or business cards.

That’s where I learned to set type. Literally… Choose a font. Fish out every letter. Set the spacing. “Lock it all up.” Hold the whole thing up to the mirror to check for typos. Back to the drawer to replace that b with a d.

I developed a keen awareness of letterforms, x heights, leading and line spacing.

I developed a keen awareness for how words look in type.

I came to recognize inspired design work, true craftsmanship and high-quality printing.

I learned the hard way that designers could be extremely meticulous, and that I wasn’t really a talented artist.

And most of all, I learned at a very young age that image really matters. It’s was on-the-job training that serves me well to this day.

 

I had ink under my nails all through high school and college. My biggest take-aways from that experience in printing?…

1. The Linotype machine is one of the most amazing contraptions ever invented. (YouTube doesn’t do it justice.)

2. All the glamour’s on the front-end — in the planning, writing and design of those promotional materials. Not on the back end in production.

So in college I took all the advertising, writing and marketing classes I could. Then I took my Journalism degree and dove into a career in advertising.

I started as a direct response copywriter selling high-end goods for a company called Norm Thompson. In that environment money talks. Not art. We tested everything, and routinely produced 25% response rates on direct sales letters to our house list. I learned that the right words translate directly into better response and more cash flow. It was the perfect training ground for a young copywriter.

I gave up the security of that position to pursue my dream of working in a “real” ad agency.

I worked in several Portland agencies where I did print campaigns, some brand identity projects and lots of collateral projects. (printed sales materials.)  That’s where I learned the magic of the writer/art director collaboration, the toxicity of dysfunctional bosses and the pitfalls of the advertising agency business model. That’s also where I learned to award-winning write radio ads. (I discovered I had a knack for writing dialog that sounds natural.)

But that agency experience left a gap in my on-the-job training. I wasn’t getting any opportunities to do TV.  I didn’t feel well rounded, so I decided to take a job at a production company that did corporate video work as well as direct response TV.

That’s where I learned how to write a treatment and pitch a story. That’s where I learned how directors work and how valuable high production values really are.

After a few years of that my career path meandered in a different direction, to the small resort town of Bend, Oregon. It was a lifestyle choice that revolved around raising a family, so I hung up a shingle with just two clients.

What to call my fledgling little agency?

By that time I had done a half dozen naming projects, so I dove into the exercise with a fair bit of bravado, a blank pad of paper and the world’s thickest thesaurus.

I wanted something that would convey my USP at the time, which was an unusual combination of creative wordsmithing and insightful strategic planning. The work had to be creative, but also undeniably effective. So this name and tagline came pretty easily:

AdWords. What to say, and how to say it.

Short. Direct. Precise. Intriguing. Plus, the URL www.adwords.com was available, so I snatched that up right away. (That was before URLs were the be-all end-all of corporate naming.)

The tagline, “what to say and how to say it” still rings true today. At BN Branding it’s strategy first, THEN execution.

Strategy determines what to say. Creative execution is the “how to say it” part. One without the other is like a Ferarri without a throttle.

So “AdWords” it was!

Over the next seven years I built a team and a substantial body of award-winning advertising work in tourism, technology, golf and real estate development.

Then, on February 10 of 2004, I got a phone call from an attorney who made an offer to purchase the AdWords brand name and URL. I thought it was a birthday prank from one of my buddies, and I politely declined.

But a couple months later he called back with a better offer. Then another, and another. He wouldn’t tell me who his client was, but it didn’t take a big leap of imagination to figure out it was Google. I held out for more than a year.

The windfall from that sale gave me time to write a golf book, help start a non-profit, reevaluate the direction of the firm, and rebrand my company.

Back to the drawing board. As it turned out, the RE-branding process was much more difficult than my original branding effort.

As all Creatives know, doing work for yourself is harder than doing work for clients.

The cobbler’s shoe syndrome is rampant in my business.

First of all, I had to do some serious soul searching. I had to step back and take a realistic look at what the company was. And what is was NOT.

We never offered media buying as a service. That was not in our wheelhouse. So really, AdWords never was an ad agency. We provided creative services, and produced advertising in all forms, but it was more of creative boutique than an agency.

It was a bitter pill to swallow for someone who had dreamed of having an “agency.”  And during that re-naming process I wasted a lot of time comparing my company to advertising agencies.

In that world there are a lot of acronyms… BBDO, CP+B, R/GA, WPP, and even TBD. But I hate acronyms. I’ve never recommended an acronym while doing a naming project. Not once. I have recommended the use of the owner’s name, but never an acronym.

I’ve never seen a cool, start-up ad agency use an acronym. They all gravitate toward hip, one word names like Smoke, Dig, Preacher, Omelet, Stoke or Walrus.

Seriously. I can’t make this stuff up.

The consensus on my team was, “No, nothing like that! That’d be off brand for us.”  So the thousand dollar question was, what would be ON brand for me and my team?

The reality was this:  It wasn’t just about me and my copywriting skills. It wasn’t even about advertising anymore. I had to let that go.

Clients were asking for much more, and our service bundle had evolved to accommodate those requests. We were still delivering creative advertising work, but we were also working further up stream — doing brand strategy, marketing planning, small business consulting and account planning. It was a broad range of services that all fell under the broad umbrella of branding.

So it was decided.. we would be a branding firm. Or a strategic brand consultancy. Or a branding agency. Something like that. But we still needed a name.

We kicked around a whole slew of options, including one that was just a symbolic letter. V.  Not V Branding, just V. That one was interesting, but a bit of a stretch.

We toyed with “Guidon” which was also interesting, but its military connotations caused problems.

Another practical consideration was corporate structure. I was advised to incorporate, but I already had one S corp in the family, so it seemed like a lot of unnecessary legal mumbo jumbo to me. Two corporate tax returns… really? Why not just become part of the family business?

My wife had a market research firm called BN Research, and there was some synergy between the two companies.

BN Branding. Hmmmmm… Seemed kind of boring, but it had a nice ring to it. Good phonetics. So I put that idea in the drawer and continued down the rabbit hole that is namestorming.  It’s never easy… sometimes it takes weeks to come up for air.

In the end, those two letters kept rising back to the surface… BN, BN, BN.

So we started playing around with this question:  What else could the B and the N stand for? How could we attach meaning to those two letters and extend it into a campaign that has legs… something that would be graphically bold and completely different than anything else in the Branding niche.

Gary Vanyerchuck , aka “Gary Vee,” has built a brand around his hard to pronounce name. When asked about that, he said, “a brand name is not chosen, it’s made. You have to make something out of it.”

That’s exactly what we’ve done with the “Be” campaign. We started with a rather benign name, and built something memorable around it.

It started with two simple words: Be Iconic. That was the spark of the idea… They I said, what’s more iconic than the curves of Coca-Cola bottle?

Then came Be Inspired, which implies a broader role where we’re touching more than just design and advertising. We inspire entire teams, not just marketing guys.

Suddenly the name BN Branding didn’t seem like a bad idea at all.

17 years later we’re still working out new ideas for the “Be” campaign. Those two green letters are now iconic, in their own right. You don’t even need to see the name or the logo to know it’s a message from BN Branding.

BN by itself is not an exciting name, but Be Iconic is the main benefit of working with us. Be Inspired is what clients are looking for. Be Nice is how we roll.

We’ve attached meaning to those two letters over time, and the more we repeat those, the stronger our brand becomes. BN is just a trigger for a much bigger, more meaningful idea.

Our clients can fill in the blanks. They can “be” whatever they want to be.

So that’s our brand origin story, and the answer to the common question “why do you call it BN Branding?”

 

 

 

So, what can the average business owner learn from the branding of a branding company?

• Naming is probably the hardest step in the brand identity development process. It’s even hard for professionals who have 25 years experience. Don’t assume that you can do it  yourself.

• Details, visual aids, and quality writing makes a big difference in the value of your brand origin story. Like any good story, it needs characters and conflict. It needs to ebb and flow… you can’t just go straight to success.

 • Look to the past for inspiration and a compelling brand origin story, but don’t hang on too tightly to what you thought you were. You gotta Be Nimble.  Circumstances change, people leave, markets shift, but brands endure.

• When evaluating possible names it’s often helpful to step back and look at the bigger picture. Get away from the word and the URL hunt, for a bit, and think big. It has to start with a big idea.

• Your company name is only one component of your brand identity. It’s important, for sure, but it seldom stands alone. It’s always “consumed” within the context of something else. You have to support the brand name, and make something of it.

• Names that may not seem all that great at first can become quite powerful as context and meaning is revealed over time.

• Context matters. A well-crafted brand origin story provides context for people, and can create greater understanding of your real value.

• Brand origin stories are especially important for service business and companies that revolve around a few, key people.

•  A good origin story can become the stuff of urban legend, told and retold to your benefit.

 

If you’d like some help exposing your brand DNA, and telling your origin story, give us a call. We’d love to hear it.

 

 

 

 

 

 

 

 

0

New word, old idea — The definition of content marketing

“Content” is a sizzling buzzword in the marketing world these days. There are all sorts of specialists peddling different versions of content. “Content is King, Content is King,” they all scream.

Everyday I get multiple offers to provide content for this blog, and for my firm’s website, and for my clients’ websites. I hear from content marketing agencies, off-shore content factories, content producers, content designers, video content producers, social media content specialists and content journalists. Every one offers “expertise in my niche” and “professional” writers and producers.

Not one has ever actually panned out.

I’m not alone.  A recent survey from Forrester Research shows that 87% of all companies are struggling to find content that produces a discernible ROI. Companies are churning stuff out, but they’re not content with their content.

And here’s the ironic part… when you ask web development companies about their biggest daily frustration, without fail they all say “it’s really hard to get our clients to provide good content in a timely manner.”

The clients are waiting for the web guys to provide content, and the web guys are waiting for the clients.

Hmmmm. What’s wrong with that picture?

Part of the problem might be the term itself. It’s like the term “marketing”… no two people can agree on what it really includes. Some people think content refers only to copywriting for websites. Others say it’s infographics, or blogging, or video. Gotta have video!

They’re all right. It’s all “content.”

Content, the noun, is nothing new. 200 years ago marketing content appeared in the form of printed hand bills hung up in the local tavern or town square. Then there were newspapers, and magazines and the advent of paid advertising and editorial placed by publicists but written by journalists.

Radio brought sponsorships, jingles and professionally produced commercials. Many great brands were launched on that platform of “theater of the mind.”

In the late 1940’s TV became the original form of video content. At the same time, billboards started popping up, and in the 60’s, direct mail became a highly effective tool for marketers.

So content’s been around forever. It’s just the form and the delivery methods that have changed.

There are many more options now, and a totally new vernacular, but the crux of it is the same as always … It’s all designed to forge a connection with consumers. So when it’s time to buy, they are already convinced.

Seth Godin’s widely quoted as saying “Content marketing is all that’s left.” Well, I guess that’s true, in a sense, because content marketing is all there’s ever been.

Teaching prospective customers and giving them reasons to believe has always been the heart of marketing. But now it’s easy to go deeper than we could with Radio, TV, print or outdoor advertising.

The media mix is more fragmented than ever, so the exercise is twofold:

1. Create content that resonates with your people. Make it relevant, regardless of the medium.
2. Find the media outlets for that content that best fit your target audience and brand strategy.

If you want to be mindful and authentic about the content you use, you have to start with a deep dive into your business strategy. That’s probably why so many companies are unhappy with their content marketing efforts… there wasn’t any strategic thinking behind it. At all.

It’s usually just a purely tactical exercise.

Strategy work is the single most important component of your content marketing effort.

It’s the only way you’ll know what to say.

The fact is, every company has a lot of stuff they could say. But those messages may not be relevant to the audience, or they might not be differentiated from your competitor’s messages or they not be true to the operational realities of your business. There are a hundred things that could sabotage your content.

You’d be surprised how many companies are out producing content trying to “increase engagement” without even having their value proposition nailed down. So when you do that strategic work, you’ll immediately be ahead of the pack.

Once you’ve determined what to say, you also have to be creative in how you say it. That’s the execution piece.

When it comes to content, the right words matter. Concepts, themes and fundamental storylines matter. Images matter. Details matter. Guts matter. Restraint matters.

Many companies try to say too much, all the time. They pack their communications full of technical details that don’t enlighten or connect. They mistake facts and data for effective communications. They post ten times a day, just to say they did.  It’s a quantity over quality mentality.

You can’t just take a facebook post and turn it into a digital ad and expect it to perform well. Your content needs to be crafted to match both the target audience and the medium.

Make no mistake about it… no matter what kind of content you’re producing, precise word smithing and stunning visuals can mean the difference between failure and success.

In marketing what you show is just as important as what you say.

Part of the strategic work is determining what imagery should be attached to your brand. Here are some good questions to ponder:

Does your brand have its own, unique visual presence, or are you recycling the same stock images and selfies that every other company is using?

Would your social media person know if an Instagram post was completely “off brand?”

What’s the takeaway for people who don’t read a word of what you put out there? If you are seen but not heard.

If you have a food product, does your content look like something from Gourmet magazine or a tattered menu from a cheap Chinese place?

Once you’ve determined your brand visuals it’ll be much easier to define the type of images you want to pair with written content. There will be clear marching orders, and boundaries that will keep everything in alignment.

Long before”content marketing” was ever a thing, I was preaching about Relevance, Differentiation and Credibility.  Low and behold, the new model for content marketing fits perfectly with that tried and true model.

Try this post for more on content marketing.