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craftsmanship of great advertising on the Brand Insight Blog

Craftsmanship of great advertising (God is in the details.)

I seldom write about superbowl advertising. (Too many other commentators offering their expert insight on the latest crop of outlandishly juvenile spots bulging with big boobs and talking animals.) Besides, for most small business owners there’s no worthwhile takeaway from those big-budget productions. No marketing lesson to be learned. Spending millions to air one commercial just doesn’t compute.

But in 2013 I had to share this piece about the craftsmanship of great advertising. The Ram truck spot from that superbowl exemplifies everything that’s good about advertising… Powerful story telling. Authentic voice. Arresting drama. And painstaking attention to detail.

Even if you don’t have the money for a big-budget TV spot, those rules still apply. In this era of social media saturation, where anything can be an ad, it’s more important than ever to craft every ad.

If you just slap your business name onto a digital ad and blast it out there, you’re not going to get the results you’re looking for. If you neglect the production details, and the wordsmithing, and the design, your advertising will fall flat. If you settle for mediocre ads you’ll get mediocre results.

Anyone who’s handling any little slice of the marketing pie can learn from this superbowl spot…  It’s the perfect example of how the craftsmanship of great advertising can move the needle for any brand.

Here’s the original post: 

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I’ve never heard such a hush fall over a Superbowl party. The commercial titled “So God Made Farmers” disrupted things almost as much as the Superdome power outage.

If you don’t think poetry has no place in business and marketing, think again. Just listen to these words:

“So on the eighth day, Good looked down on his planned paradise and said I need a caretaker. So he made a farmer… God said, I need somebody to call hogs and tam cantankerous machinery. Someone strong enough to clear trees and heave bales, yet gentle enough to wean lambs who will stop his mower for an hour to splint the leg of a meadowlark. So God made a farmer…”

craftsmanship of great advertising on the Brand Insight Blog by BNBranding

Farmer image for Ram Trucks Superbowl ad

“I need somebody who can shape an ax handle from an ash tree, shoe a horse with hunk of car tire, who can make a harness out hay wire, feed sacks and shoe scraps. Who, during planting time and harvest season will finish his 40-hour week by Tuesday noon and then, paining from tractor back, put in another 72 hours.” So God made the farmer.

Watch the long version HERE.

 

The imagery is arresting. The pacing and rapid-fire alliteration, perfect. The details, unquestionably credible.

And that voice! The choice of using Paul Harvey’s original voice-over was a genius move. For 45 years Paul Harvey he was the Walter Cronkite of the radio… everyone knew him and every marketing guy in the country wanted him pitching their products. When his name appeared on the screen, every baby boomer stopped.

Rich Lowry, Editor of the National Review wrote, “Delivered by Paul Harvey, who could make a pitch for laundry detergent sound like a passage from the King James Bible, it packs great rhetorical force. Listening to it can make someone who never would want to touch cows, especially before dawn, wonder why he didn’t have the good fortune to have to milk them twice a day. In short, it is a memorably compelling performance, and without bells or whistles (of most superbowl spots.)”

craftsmanship of great advertising on the Brand Insight Blog“The spot stuck out for thoroughly how un-Super Bowl it was. It’s a wonder that CBS didn’t refuse to air it on grounds that it wasn’t appropriate for the occasion. It was simple. It was quiet. It was thoughtful. It was eloquent. It was everything that our celebrity-soaked pop culture, which dominates Super Bowl Sunday almost as much as football does, is not.”

It wasn’t just a subtle tug on our heartstrings, but a two-ton pull that produced dramatic results. It’s been viewed over 10 million times in just one week. 10 million voluntary impressions, above and beyond all the eyeballs that were glued to the TV in the 4th quarter of the game. And according to Bluefin Labs, which specializes in analytics for social television, the Ram spot was “the most social commercial” of the game, generating 402,000 comments in social media.

AdWeek magazine said it was the #1 spot of the year, with the Budweiser baby Clydesdale commercial coming in at number 2. (Another heartwarming story)

But it was not a new idea. Truck companies have been using this sort of borrowed interest for years, leveraging the themes of hard work, craftsmanship, and salt-of-the-earth American values. But the details in the execution, this time, were far superior to the typical down and dirty truck ad.

Paul Harvey actually wrote that riveting monologue back in 1978 for the national FFA convention. The words themselves pack such force, the video footage almost seem like an afterthought.

Kudos to The Richard’s Group for producing it. And to the folks at Ram who approved it. There are a million ways they could have screwed it up.

First, many marketing execs would never approve the use of the word “God” in a commercial, for fear of offending the 70% the population who don’t go to church regularly.

Many companies, in an effort to save money and maximize their media buy, would cut corners when it comes to photography.

craftsmanship of great advertising Branding Blog by BNBrandingNot this time. They didn’t opt for cheap stock images. Instead, the agency commissioned 10 photographers, including William Albert Allard of National Geographic and documentary photographer Kurt Markus, to create the images that form the commercial’s backdrop. Gorgeous.

The only problem is, the connection to the Ram Brand was a bit of a stretch for me. (But then, I’m not a truck driver, nor a farmer.)

Ram is a brand that’s attempting to reinvent itself. No more “Dodge Ram.” Now it’s just Ram, and they’re looking for things — themes and concepts —  to affiliate themselves with.

Might as well be God, and country, and hard-working farmers. With great execution, during the biggest game of the year, it’s hard to go wrong with that.

For more on how to create more effective advertising, try THIS post.

2 Marketing Resolutions (3 easy paths to better branding)

new years resolutions for better branding2017 promises to be a great year for business owners and marketers who are willing to follow a few simple resolutions. I could have written a dozen or so, but that would go against the number one resolution for better branding:

• Resolve to be short and sweet. (Whenever you can)

There’s a proven paradox in marketing communications that says:  The less you say, the more they hear.  So stop with the generalities and the corporate double speak. Instead, try plain English. Hone in one specific idea and pound it home with powerful mental images and just a few, relevant details.

Behavioral scientists have shown, time and time again, that our brains are hard-wired to discard information. Malcom Gladwell touches on this “unconscious intelligence” in his book “Blink.” And Bill Schley spells it out nicely in his book on micro-scripts.

The human brain has a very active built-in editor, so if it sounds complicated or confusing, we just discard it.

The brain automatically defaults to the simplest, fastest, most understandable messages. So sharpen your pencils, discard all the superfluous nonsense and get the heart of the matter. That’s the key to better branding… Use fewer elements. Simple words. And images that can be “read” at a glance. Because the message with a narrow focus is the message that’s widely received.

Don’t get me wrong… there are times when long copy is absolutely the best answer. But even when it’s long, it needs to be direct and to the point. Not a roundabout of facts, figures and corporate nonsense.

tips for better branding on the brand insight blogResolve to stop boring people.

It doesn’t take a rocket surgeon to convince you that boring stuff doesn’t sink in. Usually, if you follow resolution Number One, you’ll avoid this problem pretty easily.

The new year is a great time to refresh and rethink your marketing materials. That old Powerpoint deck you’ve been using… toss it out and start from scratch. Those tired stock photos… commission a pro to replace them. Those little pay per click ads you’ve been milking along… gone. That website that hasn’t been updated in years… don’t shed any tears over that.

Sure, you’re creating more work for yourself, or for a qualified marketer, but the process of re-inventing is well worth it. Without even thinking about it you’ll integrate what you’ve learned this past year and improve things dramatically.

Remember, you can only get their attention and hold their interest by using unusual, distinctive, and unpredictable stimuli. Just the opposite of boring stuff.

Resolve to tell stories.  

bend ad agency portfolioHere’s another way you can avoid boring ’em to death: Tell good stories. Stop reciting data and repeating industry cliches and start using original narratives and colorful metaphors to get your point across.

Stories trigger emotions. Emotions demand attention.

Telling a good story is not that hard. Think about it…You’ve been telling stories your whole life, just probably not in a business context. Everywhere you turn you’re entertained and engaged by stories. Every game you watch is a story. Every YouTube Video and every comic you read has a story. Even email exchanges can become convincing stories.

Storytelling is a wildly undervalued in the corporate world. But if you look at the brands that have been most successful in any given market, they’re all good at telling stories. As are the leaders of those companies.

Think about the role your company plays in stories of your best customers, your key suppliers and even your biggest competitors. Are you the Ruler or the Reformer? The Maverick or the Mentor? The Guardian or the Gambler?

Those archetypes show up in every story ever told.

What’s your story this year, and how are you going to tell it? Do you have a David & Goliath story you could be telling? Or maybe a coming-of-age story. Imagine how well that would play, relative to another, boring Powerpoint presentation.

Resolve to stop throwing money at the latest, greatest deal of the day.

This is for retailers who are constantly barraged by offers to run more and more offers. Stop the madness!

Constant discounting is not going to help build your brand for the long haul, unless your brand happens to be WalMart, Kmart, or Dave’s Discount Deal of the Day Store.

tips on how to get better branding on the brand insight blogOtherwise, it’s just another way of screaming Sale! Sale! Sale! All the time. It undervalues your product, attracts the wrong kind of customers and sabotages your brand narrative. It’s like the cocaine of marketing. Is that the story you really want to be telling?

If you’re going to do Groupon-style discounting, look at it this way: It’s a short-term cash flow band aid. Nothing more. If your business is very seasonal it can help get you through the slow months, but it’s not a long-term marketing strategy, much less good branding.

Most business owners are beginning to see that. According to Fast Company Magazine, the daily deal industry is in a “healthy period of reassessment right now.”  In other words, there’s a big shake-out going on and even the big guys, Groupon and Living Social, are re-thinking their value propositions because their clients are not seeing sustainable results.

Most success stories in that business come from retailers who use daily deals as a loss-leader tactic… get them in the door with a discount coupon, then up-sell them into a much larger, more valuable product or service. But remember, the people who regularly use Groupon are bargain hunters, so that upselling idea may or may not work. For most companies, it’s a profit killer, not a growth strategy.

Obviously, there are hundreds of ways you can do better branding. But these three are a good start. Resolved to do at least one this year, and you will see results.

For more on how to do better branding, try THIS post. 

6 Jimmy Johns owns the idea of fast sandwich delivery

Want to build a brand? First, own an idea.

I think all entrepreneurs should study advertising. Entrepreneurs are full of ideas, and advertising is an industry of ideas…

Ideas on how to build a brand. How to build credibility and authenticity for existing brands. How to engage an audience and convert leads into sales. It’s those big ideas — paired with exceptional execution — that produce growth for clients and vault agencies into the national spotlight.

The same can be said for start-ups. Businesses that start with a big idea, and then stick to it, are the ones that become iconic brands.

Maytag owns the idea of worry-free appliances. For more than 30 years their advertising has communicated dependability brilliantly with  the lonely, Maytag repairman who never has anything to do. Now he even has an apprentice. The Leo Burnett Agency recently introduced a strapping new version of Maytag repairman… a side-kick who can talk about technological advancements and appeal to younger women.
The Maytag repairman character is so iconic Chevy actually used him in a television spot touting the Impala’s reliability. Maytag owns the idea. Chevy’s just borrowing it.
Maytag’s core brand idea helps segment the market and differentiate them from the competition. Nobody else in that category will try to claim the idea of “reliability.” Won’t work.

Google knows how to build a brand. They own the idea of online search. So much so, it’s become a verb. “Google it.” It’s the world at your fingertips.

Campbell’s owns the idea of “comfort food.” That brand is not about flavor, it’s about the rainy day when your kids are home for lunch and you sit down for a bowl of soup and grilled cheese sandwiches. Campbell’s warms, comforts, nourishes, takes you back in time and puts a smile on your face.

For only about one dollar.

how to build a brand - own an idea like volvo owns safetyVolvo owns the idea of safety. That’s their clearly perceived position in the automotive market.

Even though driving an automobile is inherently risky, people believe they are safe in a Volvo. And that belief feeds the folklore that sustains that idea and brand image. Even though Volvo models have all the glamorous features of a luxury brand, they’ll never be seen as luxury cars.

Just safe cars.

Funny story about Volvo shopping… Some years ago I seriously considered buying a Volvo SUV for my family. I did the research and went to the local lot for a test drive. But the salesman blew it. He was so adamant about the brand’s safety record, he tried to convince me that Volvo actually used Swedish convicts as live test dummies.

True story, he claimed.  That’s how Volvo developed such a safe car… by crashing them with convicts at the wheel. Needless to say, Volvo’s reputation for safety and the car’s luxurious ride couldn’t trump the salesman’s idiocy. I bought an Audi.

When Subway started they owned the idea of healthy fast food. It was healthier than McDonalds, and Jerod lost like a thousand pounds just by eating Subway Sandwiches.

Jimmy Johns owns the idea of fast sandwich deliveryNow Jimmy John’s owns the idea of FAST sandwiches. Not fast food, or sandwiches like Subway, but sandwiches delivered quickly, wherever you may be.

That’s a good strategy of differentiation, especially because their sandwiches aren’t all that great. If they stick with the idea, and execute the idea religiously by actually delivering every sandwich faster than anyone expects, they’ll have a winning business formula.

It’s a core brand concept that’s easily demonstrable in advertising.
And that’s particularly important when it’s a category of parity.  The sandwiches at Quiznos, Tomo’s, Jimmy John’s and Subway are all pretty much the same.

Insurance in another such category. It’s a fairly even playing field in a low-involvement category. (Let’s face it, dealing with insurance is about as much fun as going to the dentist.)

Allstate owns the idea of mayhem. In their current advertising campaign the agency  put a face on mayhem, and gave him a smart-ass personality. Everybody knows somebody like that, you just hope your daughter doesn’t date the guy

State Farm has a long-running slogan, “like a good neighbor.”  Unfortunately, neither the advertising nor the customer service support that idea.

Geico saturates the airwaves with humorous advertising and outspends everyone in the insurance category. Thanks to  an annual budget of $500 million a year the Geico Gecko and the cavemen have become fixtures in American pop culture. But the message is all over the place. There’s no core brand idea that anyone can grasp.

Guess who owns the idea of sparkling white teeth?  It’s not Colgate. Not Crest. Not a toothpaste, at all.  It’s Orbit chewing gum, a fairly new brand from the master marketers at Wrigleys. The Orbit girl “cleaning up dirty mouths” campaign helped them capture the #1 spot in the chewing gum market.

(I think Orbit copied the Progressive Insurance advertising. Progressive is the sparkling white insurance brand, for whatever that’s worth.)

Coming up with a core brand concept is hard work. You really have to dig. And think. And explore.

Most of the good ideas have already been done, or can’t be owned, authentically. That’s the trick… finding a conceptual framework that honestly fits with your product or service offering.  (BNBranding can help you with that.)

Many big brands don’t own an idea at all.  JCPenny, or JCP as they’d like us to say, doesn’t own an idea. They’re trying desperately to be younger, cooler and more hip than they used to be, but the name change and the slick new execution of  of their print advertising doesn’t make up for the lack of idea ownership.

Whether you’re selling insurance or chewing gum, building a brand begins with a simple idea.

Anybody can borrow some money, hang up a shingle and start their own business. But the companies that last, and become iconic brands, almost always start with a clearly defined, highly demonstrable idea that goes beyond just the product or service.

Do you need ideas? Need help with your brand messaging? Get started right away. Click here. 

Want to learn more about how to build a brand? Try this post.

6 Truth, Lies, and Advertising Honesty.

I don’t comment on politics. However, the recent political dialog has certainly inspired this week’s post on brand authenticity, honesty and truth in advertising.

truth in advertising on the brand insight blog top branding blogIn politics, the standards for lying are lower than they are in business. You can sling mud and hurl half-truths at your opponent and get away with it. He’ll just sling it back. Or the populace will simply look the other way.

In business, it doesn’t work that way.

Consumers are quick to call you out, via social media, if your advertising is BS.  And if you say nasty things about your competitors, you’ll probably get sued. It’s actually illegal to blatantly mislead consumers, and if you live in a small town, like I do, disparaging a competitor will almost always come back to bite you in the Karmic ass. Continue reading

3 Keen brand strategy on the brand insight blog BNBranding

Keen Footwear is a great branding case study. If the shoe fits.

Keen brand strategy on the brand insight blog BNBrandingApparently, I have peasant feet.  At least that’s what the nice sales person at REI told me… Back in medieval Europe, peasant’s feet were short and stubby, with toes that were close to the same length. The nobility, on the other hand, had narrow, pointy feet, with toes that tapered off like an Egyptian profile.

Keen shoes seem to be tailor-made for peasants. But I don’t think that’s part of the brand strategy at Keen.

I’ve purchased two pairs of Keens for work, one pair of sandals, and two pairs of light hikers because they fit my feet perfectly. I’ve never heard anything from Keen about fit. ( Or about catering to peasants, for that matter.) Instead, the Keen brand strategy revolves around the theme of the “hybrid life.” Continue reading

2

Branding Success (3 logical reasons why brands need more emotional thinking)

In the battle between right-brained marketing people, and left-brained finance people, the left brainers usually win. Our entire culture is driven by the left-brained rationalists.

They have data, spreadsheets, and the graphs to support their decisions.

We have gut instinct, intuition, experience, taste, style and emotion on our side.

But we also have some good, empirical evidence that suggests that branding success hinges on emotional thinking, not logic. In fact, in the three-step process, Gut – Heart – Head, the rational element comes in last.

Dodge Viper brand marketings Chrysler

The Dodge Viper was not an analytical decision.

Bob Lutz, former CEO of Chrysler and Vice Chairman of GM, once said he vetoed the finance guys and made a gut decision to develop the Dodge Viper.

In a Harvard Business Review column, Lutz said “There were those at Chrysler who thought the budget could be spent more prudently, but those of us who looked at it from a right-brained, emotional perspective saw what the car could do for the company.”

“The best companies balance the perspectives from both sides of the brain when making decisions. The problems occur when the left brainers wield too much power in senior management.”

So here are some good, logical reasons to embrace emotional, right brain thinking in your business.

1. There is no such thing as a completely rational decision. 

Don’t kid yourself. Even when CEOs methodically assess every detail of raw data and attempt to be completely rational there’s still an element of gut instinct at work.

Spock-like analysis is tainted by knowledge of who did the spread sheets, where the data came from, what other, similar data they’ve used in the past, and a dozen other factors.

Humans make decisions in the blink of an eye, and every one is influenced by a hundred factors, beyond the facts.

We like to think we’re rational and fair in our decision making, but we’re not. The human brain reaches conclusions before we even know it has happened.

Before any conscious thought or choice occurs, we FEEL something. Something emotional and completely irrational. It might be curiosity. Amusement. Desire. Arousal, Or, quite possibly, repulsion. But whatever it is, it’s not rational.

So before anyone has a chance to analyze any of the facts, the adaptive unconscious has already sent a gut reaction coursing through their veins. The conscious, analytical brain doesn’t have a chance. Therefore, branding success hinges on powerful, immediate, emotional connections.

In Harry Beckwith’s book You, Inc. he says, “People don’t think, they stereotype. They don’t conclude, they categorize. They don’t calculate, they assume.”  And they do it quickly.

Malcom Gladwell’s bestseller Blink is all about that.

2. Simple is better.

An analytical approach to marketing communications is inherently more complex than an emotional approach. And in the battle between complexity and simplicity, simplicity wins every time.

When the guys in the white lab coats start wagging the marketing dog, you get fact-filled ads and mind-numbing PowerPoint presentations devoid of any emotion at all. There’s no heart in it.

BNBranding how to choose the right message for your adsIn the absence of emotional context, listeners/viewers/users simply check out and move on to something that does resonate subconsciously.

Say you’re pitching a new idea to your bosses, or to a group of investors. You’ve analyzed the problem from every angle. You’ve devised a brilliant solution and written a compelling argument for it, backed with tons of data. But you never get past the snap judgment. By the time you get to slide #5 of 75, they’ve already made up their minds.

People don’t wait around for their analytical brain to kick in and say, hey, this is worth my time. That train has already left the station. The gut feeling of irrelevance has already won out, and that gut feeling is far more powerful than any most people care to admit. So branding success hinges on the gut.

3. Sometimes the data is just plain wrong.

The market research industry has revealed many useful facts over the years. But when it comes to predicting how new ideas or new products will be received, market research data often misses the mark.

Market research could not predict the success of this chair

When the Herman Miller Company first designed the Aeron chair, all the pre-launch research pointed to a dismal failure. It didn’t look comfortable. It didn’t look prestigious. People didn’t even want to sit in it.

It became the best selling chair in the history of the company and the inspiration for countless knock-offs and imitators. The branding success of the Aeron chair stemmed from the gut reaction of sitting in it. Their butts and backs were talking, which led to a love affair of customers who weren’t shy about sharing their passion.

And what about the famous marketing debacle called New Coke…

“Coke’s problem was that the guys in the white lab coats took over,” Malcom Gladwell  said.

First, Pepsi launched something called The Pepsi Challenge, and proved that people preferred the taste of Pepsi over the taste of Coke.  It was a brilliant move in the Cola Wars, and it provoked a bit of panic from Coke.

For the first time in history, the folks at Coke started messing around with their famous, patented formula.  They tweaked it and tested new versions until they had something that beat the flavor of old coke in every taste test.

The executives were absolutely sure they should change the formula to make it sweeter, like Pepsi.  The market research showed people would buy it. But as Gladwell says, in the most important decisions, there is no certainty.

It’s not the flavor that sells so much Coke. It’s the unconscious associations people have with it, including the advertising, the shape of the bottle, the brand’s heritage, the childhood memories associated with it… It’s THE BRAND!

New Coke marketing failure

One of the all-time biggest branding failures

The guys in the white lab coats at Coke-a-Cola didn’t take the brand into account, and they could not possibly imagine the fallout.

No one knew how much Coke-a-Cola was truly loved until it was taken off the shelves and replaced with “better tasting” New Coke.

This was 1985 — way before Twitter, Facebook and blogs — and still, the company was deluged with immediate customer rants.  “How dare you!” was the overwhelming sentiment.

Sergio Zyman, CMO at Coke-a-Cola at the time, called it “an enormous mess.” It took the company only 77 days to reverse their decision, and go back to the original, “Coke Classic.”

The fact is, if the leadership at Coke had listened to their instincts, instead of just the data, they never would have done it.

Which brings me back to Bob Lutz who said the all-powerful voice of finance is a familiar enemy to innovation.

“It’s a classic example left-brained thinking shooting its pencil-sharp arrows straight into the heart of right-brained creativity.”

For more on the emotional side of branding success, try THIS post. 

3 BNBranding brand insight blog example of incongruity in copywriting

How to make your copy more compelling: Mix up the words for better results.

Sometimes, when it comes to copywriting, one word can be the difference between a marketing home run and a dribbling bunt.

Use a boring, expected word, and you’ll get boring results. Introduce incongruity into the word choice, and you’ll hit it out of the park.

Here’s an example:

how-to tips on copywriting by BNBranding bend oregonI was doing a campaign for a commercial real estate concern, and the client was completely fixated on one word in a headline: “Precious.”

“I don’t like it. Babies are precious, not parking places,” she argued.

“Yes, that’s precisely why it works,” I countered. “Besides, diamonds are also precious. And what’s more valuable than diamonds?”

By using that one word I exaggerated the value of “free parking” and elevated a mundane product feature to an entirely different realm.

It was an effective use of incongruity in advertising copy, and she just couldn’t get her head around it. Just as most people can’t get their heads around the idea of disruption in advertising.

So I showed her some alternative adjectives that I knew would not work…

“Popular” just didn’t have the same effect. “Convenient” didn’t have the alliteration I was looking for. “Valuable” just sucks.

The more options I showed her, the better the word “precious” seemed. The incongruity of it was perfect for that context and purpose. Eventually the client relented, and the ad ran, quite successfully.

Incongruity in advertising is a mismatch between an element in the ad and an existing frame of reference. (Elements being product photo, brand name, endorser, music selection, word choice, etc.)

Academic research on the subject has shown that “incongruity causes disturbances in one’s cognitive system”…

That’s precisely what advertising people are going for: a disturbance in your thinking that causes you to pause, consider or reflect on the brand. That’s what good copywriting is all about. That’s what iconic brands are built on.

“Empirical evidence suggests that individuals presented with INcongruity are more likely to engage in detailed processing than they are with congruity, and may even respond positively to the incongruity.”

On the other hand, ads, tweets, presentations and websites that contain nothing new or different will not be processed at all.

Here’s an example of bad copywriting from a Bed & Breakfast website:

“Welcome to our home! We invite you to look around our website and consider a stay with us on your next visit to or through Lexington. When we open our door to you, we consider you as welcome guests, but want you to feel as comfortable here as you do in your own home. Our mission is to provide you with lodging, rest and meals that are memorably special, to do so with the kind of Southern hospitality you expect and deserve, in tasteful household surroundings that carry the tradition of Old South charm. You will find something “extra” everywhere you turn during your stay, from the bedding, room amenities, complimentary toiletries, and more…Each area has its own entertainment system, open WiFi access, and, for each room, individual climate controls. We believe you will enjoy your stay with us so much that you will regret having to leave, but depart looking forward to another visit. We hope to see you soon.

No one’s going to stick with this copy beyond the first four words. And “Complimentary toiletries”… Really? I sure hope so.

Copy like that is, what I’d call, boringly congruent. It’s so expected and chock full of cliche’s no one’s going to hear it. Our brains are wired to weed out the mundane, like a triple speed fast-forward button on the TV remote.

In marketing, the opposite of incongruity is not congruity. It’s invisibility.

BNBranding brand insight blog example of incongruity in copywriting

When all the elements line up in the same, old, expected way the message becomes completely invisible. Without some degree of incongruity, the copywriting fails.

But effective incongruity hinges on proper, relevant context.

examples of copywriting from BNBrandingExample: I recently used some nonsensical words in a campaign directed toward restaurant owners.

They know what babaganoush is. And Paninis.

The context made the incongruity of the words effective. If the target had been the general public, it’d be a different story.

If an element is totally out of context AND incongruent, it seldom works.

I recently saw a TV spot for a local realtor that was so wildly out of context and incongruent, it didn’t work at all. All you see are tattooed arms putting a puzzle together while the voice-over talks about “the real estate market is tearing families apart.”

Creepy.

If you’re a client who purchases advertising, try to embrace incongruity in the right context.  It could be one word in a headline that seems not quite right, or one image or graphic. Chances are, if it seems just a little outta place it’s going to work well. It’ll stop people in their tracks and engage the creative side of their brain.

So next time you’re working on an email campaign, a powerpoint presentation, or anything… take time to throw in at least one unexpected word that will break through all the “babaganoushit.”

It makes all the difference.

For more on making your advertising messages more memorable, try THIS post.

2 Masterful Brand Management

It’s Masters Week —  the biggest week of the year in golf, and a tide-turning event for several brands. Most notably, this one:

tiger woods comeback logo brand video

The Tiger Woods logo for Nike

Over the last 9 months the Tiger Woods brand has, shall we say, strayed a bit. The “indiscreations” of Tiger’s personal life have cost his brand millions in endorsement deals, and even more in public goodwill. As one sports writer put it, “it’s the most dramatic fall from grace in the history of sport.”

For Tiger Woods and company, The Masters represents the perfect venue for a comeback, and an ideal brand affiliation.

See, Augusta National is considered hallowed ground. It’s like the Sistine Chapel of the golf world and its annual invitational tournament is like Easter Sunday with the Pope.  Every player and every “patron” out there considers himself blessed to be part of it.

Call it the halo effect… TW needs some of that sweet aroma of blossoming azaleas to rub the stink off of him.

The Masters Tournament Augusta NationalSo Tiger started the week in Augusta with a press conference. Every question was personal. Pointed. Charged. Every reporter wanted to rehash the events of Tiger’s private life. To his credit, Tiger’s responses seemed genuine and heartfelt. Not overly scripted. But it was obvious that his answers were thought out in advance. As they should be.

From what I’ve read, the CEO of Toyota, with all his PR advisors, didn’t handle things as well. Put the billion-dollar TW brand in that context for a minute…  Toyota execs withheld information that put their customers at risk of death, and the press was easier on them than Tiger.

Different rules apply to our sports heroes.

In any case, Toyota has 50 years of dependable performance and customer loyalty to help pull it through this little bump in the road. And ultimately, when it comes to Tiger’s brand, performance will trump everything else.

As soon as he gets back to his dominant form and wins a few of these majors, like The Masters, people will begin to forgive and forget.

Keep in mind, his personal brand bordered on superhero status before all this crap came up.  But every superhero has his kryptonite, and now we know what Tiger’s is.

The events of the last year have had a polarizing effect on the TW brand. The people who weren’t Tiger fans before really hate him now. And he seems to be universally despised by women.

However, among the men over 45 who make up 75% of the golfing public, he’s still  more admired than despised. He still gets a standing ovation on the 12th tee at Augusta. Still inspires awe with his performance on the golf course. And that’s always good for business.

From a brand management standpoint, the other thing that TW and company did this week was launch a new commercial.

In classic, Nike fashion, the black and white spot features Tiger, just standing there looking stoic, while his father’s words hauntingly ask the questions that the entire world has been asking: “I want to find out what your thinking was. I want to find out what your feelings are… did you learn anything?”

The mainstream media and general public won’t recognize the voice and might see it simply as PR BS. Some have called it crass and creepy. Others are saying it’s  “Exploiting his father’s memory.”

But the general public isn’t the target. Die-hard golf fans will know it’s the voice of Earl Woods, reaching out from the grave, and for them, it will have the desired effect.

It’s common knowledge that Woods and his father were very tight. One of the most poignant moments in golf history came shortly after Earl’s death… Tiger won the British Open and before he get off the 18th green he broke down completely in his caddy’s arms, grieving in front of the entire world.

So my hat’s off to the guys at Weiden & Kennedy. I think it’s fitting that it’s his father posing the tough questions. In fact, the whole concept hinges on it. Any other voice over and the spot’s not worth running.

Then there’s the look on Tiger’s face. They’re not making him look heroic. In fact, he looks like a guy in the doghouse, licking his wounds. Taking his medicine.

I believe the spot works from a damage control standpoint. And as far as brand personality is concerned, it fits. Tiger never was great at dealing with the fans. Not the most popular guy to get paired up with. Not the most forthcoming with an autograph or quick with a smile.

In other words, he was no Lee Trevino or Phil Michelson.

One thing’s for sure, the new commercial has a high buzz factor. And it makes you wonder, would all this have happened if Earl was still around, keeping an eye on his superstar son?

I was never really surprised by Tiger’s misbehavior. Dissapointed, sure, but not particularly surprised. He’s a rock star, after all. How many rock stars stay at the top of the game without a blemish for 15 years?

Just saying.

The Tiger Woods brand is definitely tarnished. But no matter what they think of his commercials or his off-course antics, no matter what they write about him, Tiger’s brand will recover and thrive because he’s so amazingly good at what he does.

His performance will dictate the script of his brands success. It may not come this week at Augusta, but it will come.

Tiger Woods promises to light up a golf course like no contemporary player can. He’ll always be intensely passionate. He’ll give everything he has to every golf shot he hits, and leave nothing on the course.

But I don’t think the TW brand promise ever went much further than that.

2

Brand Differentiation (Disruption as a branding discipline)

The word for the day is Disruption, with a capital D.

In our society there’s a stigma against all things deemed disruptive. When I was in elementary school I learned to not be disruptive in class. Or else!

brand differentiation (disruption as a branding discipline)Sit still in church and don’t disrupt the service. By the 6th grade it was “don’t cause a scene or call attention to yourself.”

Don’t be different. Be the same.

Write like everyone else. Dress like everyone else. Behave like everyone else and you’ll get along just fine. That’s the message we got, and it’s the message our kids are getting.

Loud and clear.

Maybe that’s why so many business owners and executives flee from the idea of disruption like a fox from a forest fire. It’s ingrained in our society. Most business owners are deathly afraid that some new competitor with “distruptive technology” is going to come along and threaten their turf.

And yet, if you’re going for brand differentiation it’s disruption that separates the iconic brands from the ho-hum ones.  And disruptive advertising is what gets the best results.

Jean Marie Dru, Chairman of the advertising conglomerate TBWA, has written two outstanding books about Disruption, but it’s still a hard sell. To most executives disruption is bad. Convention is good. And the results of this mentality are everywhere.

Brand differentiation is hard to come by.

As management guru Tom Peters says, “we live in a sea of similarity.” Social convention and human nature lead us into a trap of conformity where all websites have the same basic layout. All sedans look the same. All airlines feel the same. All travel ads sound the same.

And it works to some degree, because there’s comfort in conformity. (Vanilla still outsells all other flavors of ice cream.)

But in the long run, conformity is the kiss of death for a brand.

Great brands do things that are disruptive. Rather than shying away from the word, the executives embrace the idea of disruption and they make it a part of their everyday operation. They consider it productive change that stimulates progress.

But even when they succeed with disruptive products, disruptive technology and disruptive marketing campaigns, it’s tough to sustain.

When Chrysler first launched the Plymouth Voyager the Minivan was a groundbreaking idea that threw the auto industry into total disruption. It was a whole new category, and everyone scrambled to copy the market leader. Within five years, minivans were — you guessed it —  all the same.

There used to be a Television network that was radically disruptive. MTV launched hundreds of music careers and shaped an entire generation, and now where is it? Lost in a sea of mediocre sameness.

When they first burst onto the scene in the 80’s, the idea of a micro brewery was very disruptive. Now, in Oregon, there’s one in every neighborhood and they’re all pretty much the same. Good, but IPAs are everywhere.

Successfully disruptive ideas don’t last because its human nature to copy what works. This process of imitation homogenizes the disruptive idea to the point where it’s no longer different. No longer disruptive.

So if you want to sustain a competitive advantage, you have to keep coming up with disruptive ideas. Not just incremental improvement on what’s always worked, but honest-to-goodness newness all the time.

Avatar is a disruptive movie that spawned numerous knock-offs.

The name “Fuzzy Yellow Balls” is brilliantly disruptive in the on-line tennis market.

brand differentiation on the brand insight blogThe American Family Life Assurance Company was utterly forgettable until they changed their name to AFLAC and launched a campaign featuring a quacking duck. In the insurance business, that’s disruptive!

According to an interview in the Harvard Business Review, AFLAC’s CEO Daniel Amos risked a million dollars on that silly duck campaign.

Amos could have gone with an idea that tested incrementally better than the average insurance commercial, but he didn’t. He took a chance and went with that obnoxious duck. He chose disruption over convention, and everyone said he was nuts.

But it turned out to be a radically successful example of brand differentiation.

The first day the duck aired AFLAC had more visits to their website than they had in the entire previous year. Name recognition improved 67% the first year. And most importantly, sales jumped 29%. After three years, sales had doubled.

AFLAC’s success was based on disruption in advertising and naming. But for many companies, there’s also an opportunity to stand out with disruptive strategy. In fact, Dru contends that breakthrough tactics are not enough, and that the strategic stage also demands imagination.

Here’s an example…  When Apple introduced the iPod, the strategy wasn’t just about superior product design. It was about disrupting the conventions of the music business. It was about introducing the Apple brand to a whole new category of non-users and establishing Apple as the preferred platform for all your personal electronic needs.ipod branding on the brand insight blog

 

Of course Apple also has brilliant, disruptive advertising.

You can get away with mediocre tactics if your strategy is disruptive enough. And vice-versa…  if your advertising execution is disruptive, you can get by with a me-too strategy. But if you want to hit a real home run like Apple did with the ipod, start with a brilliantly disruptive strategy and build on it with a disruptive product and disruptive marketing execution.

It’s kind of ironic… In business, no one wants to cause a disruption, and yet they’re clamoring for good ideas. And good ideas ARE disruptive. They disrupt the way the synapses in the brain work. They break down our stereotypes and disrupt the business-as-usual mentality.

That’s precisely why we remember them.

Richard Branson said, “Disruption is all about risk-taking, trusting your intuition, and rejecting the way things are supposed to be. Disruption goes way beyond advertising, it forces you to think about where you want your brand to go and how to get there.”

Steinbeck once said, “It is the nature of man, as he grows old, to protect himself against change, particularly change for the better.”

Ask yourself this: What are you protecting yourself from? What are the conventions of your industry?  Why are are you maintaining the stats quo? What are the habits that are holding you back? Are you copying what’s good, or doing what’s new?

What are you doing to be disruptive?  Are you really willing to settle for vanilla or are you really committed to brand differentiation?

For more on brand differentiation and how to create an iconic brand, try THIS post.

 

2 Travel industry advertising – Wales misses the fairway by a mile.

Humor me for a minute. I seldom use the Brand Insight Blog to critique ads. It’s just too easy to just snipe about details like an idiotic headline or the lazy use of stock photography. But I recently ran across an ad for Wales that’s simply too bad to pass up.

It’s a perfect example of what’s missing from most brand messages and a relevant case study of what NOT to do in travel industry advertising.

First, a little background on golfers and golf travel. Golfers spend a lot of money supporting their habit. We buy $400 drivers and travel great distances to play exceptional golf courses. But we’re not stupid. We shop around just like anyone else and make darn sure we’re getting the best experience possible when booking a trip.

travel industry advertising agency

Wales definitely has some pretty pictures.

For Americans, a trip to Wales is a tough sell. Let’s face it… Scotland, the Holy Land of golf, is right next door and Ireland is just a ferry ride away. Wales isn’t even on our radar.

Here’s another important fact the Welch tourism office didn’t consider: Golfers have a phobic aversion to certain numbers. We hate 6s and 7s! An 8 on the scorecard is known as a snowman, and is more dreaded than an STD. Nines and 10’s aren’t even spoken of, much less, featured prominently in the headline of an ad.

Every industry has its advertising conventions — required elements, if you will. In golf advertising it’s the pretty picture. Just show the beauty shot of the course with sunlight streaming across the fairway. It’s the price of admission in the category… if you don’t have good photography, don’t even play.

So it’s not surprising that all golf travel ads look alike. The “creative” part of the assignment usually goes like this: “Just figure out where we should run this pretty picture of our golf course.” There’s no story telling. No relevant message that’ll connect with anyone on an emotional level. And there’s very little differentiation.

Same goes for travel industry advertising in general. It’s almost always just a pretty picture and a few throw-away words.

how to create a great golf adWhich brings us to the ad in question. It was a full page in Golf Digest, retail value; $88,000. There’s a mediocre aerial photo of a costal golf course on a dramatic spit of land, with a big headline that reads:

6,7,5,6,7,7,9,7,5,6,6,7,8,6,7,8,5, but happy.

Huh???? That’s the most blatantly false headline I’ve ever seen in travel industry marketing. There’s no way a traveling golfer is going to be happy with a scorecard like that. And the cliché-ridden body copy does little to relive my discomfort with the whole idea:

“We all get those days. Where you seriously consider packing it all in and taking up darts or something. But even a bad round here has its positives. Stunning championship courses. Reasonable green fees. No pretentious nonsense. A good walk through our beautiful countryside. And best of all, in Wales tomorrow’s always another day.”

Tomorrow’s also a fine day to fire your copywriter.

Apparently, the message is: Travel all the way to Wales and magically, somehow, you’ll feel good about all those 7s and 8s and 9s on the scorecard. Talk about a disconnect! 7s 8s and 9s are even more depressing at a seaside course in Wales than they are back home. It’s every golfer’s worst nightmare… travel 6,000 miles to an epic destination and then stink up the place.

Been there, done that. (Okay not that bad, but bad enough to leave a scar.)

how to avoid bad advertising in the golf industrySo here you have an ad that doesn’t just lie flat on the page, unnoticed and ineffective. It screams bad experience! It conjures up memories that are emotionally scarring to me, and now I associate Wales with that negative experience.

Ouch.

You won’t convince golfers that a terrible round will be more palatable in Wales, and you shouldn’t even try. It’s an unbelievable, irrelevant message that misses the target audience by a mile. (People who shoot 118 don’t travel to obscure oversees destinations to play golf. They ride busses from one tourist trap to the next.)

But let’s be fair. The Wales Tourism Board isn’t the only organization that misses the mark when it comes to strategic message development. Most companies have at least of half-dozen messages they could use for their advertising. The problem is, they’ve never spent the time to figure out which of the six will really resonate.

If you’re faced with that message development problem, here are some guidelines that’ll help:

1. Assess each possible message on a credibility scale. Turn the BS meter to full volume and honestly decide which statements are believable and which ones sound like marketing hype?

2. Identify the hottest pain point for your best customers, and work from there. Big numbers are definitely a pain point for golfers. Unfortunately, Wales can’t promise to solve that problem.

3. Identify the messages that are in line with your core brand concept and move those to the top of the list. Don’t deviate.

golf industry marketing and advertising4. Beware of plagiarism. If your message sounds a lot like your competitor’s message, throw it out. In that Golf Digest Ad, Wales uses the tagline “Golf as it should be.”  A blatant rip-off of the phrase coined by Bandon Dunes Golf Resort: “Golf as it was meant to be.”

5. Get some professional help. You’re too close to it to make sound judgment on what will resonate, and what won’t.  Time after time, our market research proves this point. Travel industry advertising has the potential to be truly great. Don’t waste that opportunity by running mediocre ads.

6. Know your market and subject. Do the research. It’s pretty obvious that whoever did the ad for Wales had no experience with, or knowledge of, golf industry advertising.

Would you like to learn more about how to develop a message that will really resonate with your target audience? Read this post.

Want to see some of travel industry advertising I’ve done? Click here.