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marketing strategies for alcoholic beverages

Absolutely Better Branding (Lessons from a strong shot of vodka.)

dill pickle vodka BNBrandingChocolate vodka? Dill pickle vodka? Bacon flavored vodka? Cinnamon Roll Vodka? Smoked Salmon Vodka. I kid you not. When it comes to marketing strategies for alcoholic beverages, fantastical flavors are all the rage.

Seems like there’s a new flavor-of-the-day every time I visit a liquor store. Ten years ago there were basically only four or five choices of vodka. Now there are 20 brands, and every brand has a dozen different whacky flavors.

Where’d the vodka flavored vodka go?

It’s great news for mixologists, but a bit overwhelming for the average consumer.  And it poses huge challenges to marketers who are trying to succeed in this newly crowded space.

Doesn’t matter if it’s vodka, gin, whiskey or rum, the marketing strategies for alcoholic beverages are getting more and more involved.

So here’s some advice, based on one of the classic marketing case studies from this category: Absolut Vodka.

The first rule of advertising is this: Never take the same approach as your closest competitors.

If you want to differentiate your brand, you have to think “different.” Contrarian even. Everything that you say, everything that you show, and everything that you do should be different, to some extent than what everyone else in the industry is doing. Study all the market strategies of alcoholic beverages, and then choose a different path.

”Here’s how:

• Even if you’re selling the same thing, don’t make the same claim.

There are hundreds of different ways to sell the benefits of your product or service, so find one that’s different than your competitors. That often comes down to one thing: Listening. The better you are at listening to consumers, the easier it’ll be to differentiate your brand.

• Don’t let your ads or your website look or sound anything like competing ads.

Use a different layout, different type style, different size and different idea. The last thing you want to do is run an ad that can be mistaken, at a glance, for a competitor’s ad. If all the companies in your category take a humorous approach to advertising, do something more serious. Find a hook that’s based on a real need of your target audience, and speak to that. Zig when the competition is zagging.

• If you’re on the radio, don’t use the same voice talent or similar sounding music.

Find someone different to do the voice work, rather than a DJ who does a dozen new spots a week for other companies in your market. Same thing for tv spots. (This is an easy trap to fall into if you live and work in a small market… there’s not enough “talent” to go around.)

Unfortunately, every industry seems to have its own unwritten rules that contradict the rules of advertising.

These industry conventions aren’t based on any sort of market research or strategic insight. They’re not even common sense. Everyone just goes along because “that’s how it’s always been done.”

The problem is, if that’s how it has always been done, that’s also how everyone else is doing it. In fact, some of these industry conventions are so overused they’ve become cultural cliches.

• Don’t use the same images or advertising concepts that your competitors are using.

The rule in the pizza business says you have to use the “pull shot:” A slow-motion close-up of a slice of pizza being pulled off the pie, with cheese oozing off it.

In the automotive industry, conventional thinking says you have to show your car on a scenic, winding road. Or off the scenic winding road if it’s an SUV.

In the beer business, it’s a slow motion close up of a glass of beer being poured.

marketing strategies for alcoholic beveragesThose are the visual cliches… the images that everyone expects. They are the path of least resistance for marketing managers.

But if you go down that road, and follow your industry conventions, your advertising will never perform as well as you’d like. In fact, history has proven you have to break the rules in order to succeed.

Absolut Vodka won the market by winning the imagination of the consumer through brilliant print advertising.

In 1980 Absolut  was a brand without a future. All the market research pointed to a complete failure. The bottle was weird looking. It was hard to pour. It was Scandinavian, not Russian. It was way too expensive. It was a me-too product in the premium vodka category.

But the owner of Carillon Imports didn’t care. He believed his product was just different enough… That all he needed was the right ad campaign.

So he threw out all the old conventions of his business and committed to a campaign that was completely different than anything else in his industry. And he didn’t just test the water, he came out with all his guns blazing.

TBWA launched a print campaign that called attention to the unique bottle design of Absolut. It was brilliantly simple, and unique among marketing strategies for alcoholic beverages of any kind.

Needless to say, it worked.

The “Absolut Perfection” campaign gave a tasteless, odorless drink a distinctively hip personality and transformed a commodity product into a cultural icon. In an era where alcohol consumption dropped, Absolut sales went from 10,000 cases a year to 4.5 million cases in 2000. And it’s still the leading brand of Vodka in the country.

The moral of the story is this: When you choose to follow convention, you choose invisibility.

“To gain attention, disrupt convention.”

marketing strategy for alcoholic beverages That’s my own quote.

Instead of worrying about what everyone else has done, focus on what you could be doing. Take the self-imposed rule book and throw it away. Do something different. Anything!

But long before the days of dill pickle vodka, Absolute added a nice local touch to its ads in major markets such as LA, New York and Chicago. (ads at left)

They made the campaign timely and locally relevant by hitching onto well-known events, famous people and iconic places. It was a brilliant example of wise brand affiliations.

marketing strategies for alcoholic beverages

This disruption mindset doesn’t apply just to the marketing strategies of alcoholic beverages. It’s important for professional service companies or any other category where it’s tough to differentiate one company from the others.

Take real estate agents for example. Realtors are, in essence, me-too products. Flavorless vodka. In Bend, Oregon they’re a commodity. Even if a realtor has a specialty there are at least 500 other people who could do the same thing. For the same fee. That’s the bad news.

The good news is, even though there’s no difference in price and no discernable difference in service, you could still create a major difference in perception. If you’re willing to think different.

Like Absolut Vodka, a unique approach to your advertising is the one thing that can set you apart from every other competitor. Advertising is the most powerful weapon you have, simply because no one else is doing it. At least not very well.

But putting your picture in an ad won’t do it. That’s the conventional approach.

Remember rule number one and run advertising that says something. Find a message that demonstrates how well you understand your customers or the market. Run a campaign that conveys your individual identity without showing the clichéd, 20-year-old head shot.

Do what the owner of Absolute did. Find an approach that is uniquely yours, and stick with it no matter what everyone in your industry says. Over the long haul, the awareness you’ve generated will translate into sales. Next thing you know everyone else will be scrambling to copy what you’re doing.

Eventually your campaign just might become a new industry convention. Maybe not on par with bacon vodka or dill pickle vodka, but iconic nonetheless.

For more on marketing strategies for alcoholic beverages, try THIS post. 

1 BNBranding how to choose the right message for your ads

How long should that web copy be? Really.

This is a common refrain these days…  Doesn’t matter if the client is selling complex, business-to-business services online or a simple impulse item in the corner market, they often have the same idea concerning web copy…

“This copy’s just too long. No one’s going to read that.” 

“You can’t put that much copy on a website.” 

“How we going to do that on social media?

Brand Insight Blog by BNBrandingThey probably read some ill-advised online advice that said “Less is more. Keep it short. Don’t expand on anything. Kick ’em upside the head!”

And do it in 140 characters.

Call it the Twitter effect. Or maybe the Trumpification of corporate communications. Persuasion and word-smithing is being beaten down, tweet by tweet, and reduced to banal snippets designed to get clicks and “improve engagement.”

There are many problems with that approach to web copy, but I’ll just cover a couple…

If you’re going to limit your copy to just a few words, they better be damn good words.

This, I’ve found, seldom rings true.  I rarely find website headlines or digital display ads online ad copy, social media posts or blog articles that are well-written. In fact, they’re more likely to be riddled with typos than ripe with juicy metaphors and well-crafted copy.

That’s probably because most web development firms rely completely on the client for “content.” And he’s way too busy to do that himself. He doesn’t even have time to manage the project through a freelancer, so it usually gets delegated to someone who’ untrained, or utterly inept.

The second problem is this:  Sometimes you absolutely, positively need more than just a factual headline and a quick blurb for your web copy.

Business stories need time to develop. They need dialog and characters and problem/solution scenarios that strike a chord with prospects. You can’t just fill in a few blanks on a website template and expect good results.

Prospects need to know more than just who, what, when and where. But also, why.

They need to see, hear and FEEL the “what’s in it for me” piece that is amazingly absent these days.

BNBranding how to choose the right message for your adsI see it frequently in the natural foods industry… a company will have a delicious new product for sale on Thrive Market and Amazon and various niche websites, but they use the same, truncated, incomplete copy on every site. Not a single one gives an adequate explanation of “why buy.” It’s an obvious, unfortunate, cut and paste job.

There are hundreds of delicious, healthy products languishing on those eCommerce shelves because companies simply don’t articulate the deeply rooted product benefits in an interesting manner. As they say in the venture capital world, “they just don’t have their pitch dialed.”

Heck, they often can’t even convey how tasty their stuff really is.

My job is to dig up those pertinent story lines and deliver the message to a variety of diverse target audiences.

Sometimes it can be done in a few words, but often I have to go deep… I’ll find the real story buried in an old blog article or in a series of Facebook posts from the company’s launch. Or worse yet, I stumble across the meat of the message in some food blogger’s review.

How could that be? How could the owner possibly miss such an important marketing detail?

To be fair, those business owners are up to their ears in production challenges, ingredient procurement issues and sales channel headaches. Most don’t have time to craft their pitch because they’re busy solving problems that are more urgent and more understandable to a CEO mentality.

It’s  human nature… dive into the tasks we’re good at, and procrastinate on the other stuff.

So here’s some advice for all you business owners out there: Don’t put off your messaging. It’s more important than you think. And don’t “outsource it” to someone who doesn’t understand your target audience or the language of your business.

Get some professional help from a well qualified writer, and when you do, don’t pester him about using too many words.

The fact is, engagement is guaranteed if you’re telling a good story in a creative way.

(And believe me, no one buys without first being engaged with your brand.)

But let me answer the original question… “How long should your ad copy be?”

That depends on the context. You need to carefully consider the medium, the audience, the subject matter and the objective of the communication.

billboards like this one from bnbranding need short copy. brand insight blog

Billboards like this one from BNBranding require very short copy.

There are times when you absolutely have to be short and to the point. Billboards, digital ads and Facebook, for instance.

In situations like that, when the character count is literally limited, every sentence needs to be creative and well crafted. Every word counts. No one’s going to flock to your landing page if you just slap up a product shot with a factual caption on Facebook. In that case, a photo alone does not speak a thousand words.

tips for new logo design by BNBrandingThere are other times when long, explanatory copywriting is essential to making the sale and building your brand.

For instance, a sales letter to a known prospect for a complex, business-to-business service proposition. Or the “about” section of a website in categories where credibility is huge issue.

The length of your copy is often dictated by the audience you’re addressing.

Take trade advertising for instance… Natural food marketers need to reach the buyers at retail chains like Whole Foods, and the pitch for that group should be completely different than the copy directed to the end consumer. It’s a different value proposition, altogether. Yet most trade ads in that industry are nothing more than sell sheets, which is not a good use of media dollars.

Facts, data and product photos alone do not tell a compelling story.

Part of the art of effective copywriting is knowing when to go long, when go short, and when to shut up.

I know a company that had 700 words on the homepage of their website. It was a huge mistake… way too long for that particular location. And every powerpoint presentation you ever see has way too many words.

But there are far more companies that have the opposite problem; graphically-driven websites that don’t present a clear case for the product or service at hand.

So, if you’re trying to produce some effective ad copy, first consider the medium. Then the audience. Then the objective of the communication. And of course, the subject matter. Only then can you decide if less really is more.

I could go on and on, but for this particular post, this is the perfect length.

For more advice on how to get better copywriting, try this post.

 

 

Automotive Advertising: Another ride down that twisting, mountain road of tired clichés.

I don’t know what it is about automotive advertising. No other category is so rich in promise, yet so void of inspiring insight and unique execution. But there is something any marketer can learn from the long history of mediocre automotive advertising.
Brand Insight Blog by BNBrandingFor instance, there’s a nice Alpha Romeo ad that’s running right now for the Giulia… Gorgeous video of a sexy red Italian sports car doing its thing in the curves with a pretty good voice-over that nobody’s going to listen to.

That’s easy. It’s harder producing a decent spot for a mundane automotive product, like a minivan.

Chrysler single-handedly created the minivan market when the Caravan and Voyager debuted in 1984. Sales skyrocketed and imitators quickly sprang up, but only after Chrysler had firmly established itself as the segment leader.

automotive advertisingChrysler’s minivans moved the segment from niche vehicle to the pinnacle of the mainstream. Minivans have become part of the pop culture. And the marketing people at Chrysler/Dodge have a pretty good handle on what their target audience is looking for.

The advertising routinely features simple slices of family life: we see a baby sleeping peacefully in a car seat. Kids playing cards in facing rear seats. Kids watching videos. Moms & Dads reconfiguring the seats and loading up the endless volume of kid’s stuff.

That’s what minivans are all about: Lugging kids, looking for lost binkies between the seats, and running errands. That’s the reality of it. It’s not glamorous, and it’s not the least bit appealing to anyone who doesn’t have kids. But it’s totally relevant for parents who are carting three kids around everyday.

The main benefit of all minivans is practicality. Plain and simple. And Caravan advertising conveys the idea very clearly. They’re not trying to be anything other than that.

Honda, on the other hand, once careened off the road with their spots for the Odyssey Minivan.

The Honda spot goes like this: There’s an attractive young couple driving along a winding, country road. In a mini van, for pete sake! The husband, who’s doing the driving, glances at his wife suggestively as she reaches up and grips the panic handle above her window. She gives him a quizzical, turned-on look. He gives the van a little more gas and grips the wheel tightly as he lugs into another corner with all the agility of a Winnebego.

She holds on even tighter and looks at him as if to say, “ohhhh yeah, bring it on big boy.” I almost expect them to pull over and jump into the back for a roadside quicky. Instead, she just holds on for the ride while the voice-over chimes in: “Just because it’s a minivan doesn’t mean you have to treat it like one.”

Oh, c’mon.

There’s even a more blatant execution of that idea from Britain, where a couple are about to do it in their Honda Odyssey until they get interrupted by an elderly parent. The voice-over on that spot says “It doesn’t seem like a family car.”

First of all, sex and minivans DO NOT go together. No one gets turned on by a minivan. A corvette might help you get laid, but not a dual-sliding, seven passenger, Chrysler or Honda product.

Curvy roads don’t go with minivans either. Put a minivan on a windy road and you here’s what you get: Puking children. Horrendous messes of vomit. Leave the windy roads to the Porsche commercials.

There’s no pleasure in getting from Point A to Point B in a mini van. Believe me, I’ve done it. There is some satisfaction in packing up both kids and the entire kitchen sink for a simple, cross-town play date. There’s satisfaction in changing a diaper on the side of the road without hanging your baby out on the tailgate. But not pleasure.

So Honda’s idea of promoting the minivan as something sexier than just a minivan, simply doesn’t wash. They could spend a billion dollars trying to convey that idea, and parents would still buy it for the cupholders. It’s like trying to kitten-up a milk truck.

So how did the message get so messed up, and what can we learn from Honda’s one-spot marketing blunder?

  1. As a brand, be authentic. Don’t try to be something you’re not. Minivans are not 450 horsepower Italian chick magnets. (Unless maybe Alpha Romeo decides to get into that niche)
  2. Realize that technical specs and insider information is often irrelevant to consumers. The automotive press consistently ranks The Honda Odyssey above its Chrysler competitors in performance and reliability. It’s a great vehicle. Best in class even. And the Honda executives are fully aware of this.

automotive advertising

The problem is, in the minivan category nobody gives a hoot about “chassis refinement and driving feel.”

By letting insider information dictate their marketing, Honda ends up with a message that’s relevant to their own executives and to the automotive cognoscenti, but completely irrelevant to the target audience. It’s a classic case of getting in your own way. Of knowing too much.

Of course it probably wasn’t the Honda executives who came up with the idea of using sexual tension in their Odyssey spots. Maybe the ad agency creative team just couldn’t find inspiration in a boring old minivan. Maybe there wasn’t any consumer insight or personal experience to go on. Maybe it was just wishful thinking. Or maybe they were just trying to steer clear of a technical, engineering message. Wise move, but they really blew it with the hot couple concept.

Somewhere, the process took a wrong turn and the end result is a waste of marketing dollars.

In the scheme of things, one spot isn’t going to kill Honda. But in the meantime, Dodge is sticking to an approach that simply demonstrates relevant features. Their advertising is not going to win any awards, but at least it’s somewhat authentic. It hits the hot buttons of a specific target audience and it wins the head-to-head battle with Honda. In automotive advertising anyway.

For more on Brand Authenticity, click here.

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Effective TV advertising — How to avoid TV spots that miss the mark.

I just cringe when I see most local TV commercials. Not because of the horrific script writing or the low, low, low production quality. Not because of the ill-advised choice of “talent,” or the mind-numbing jingle. I expect all that.

BNBranding's Brand Insight BlogNo, I cringe because many of the companies paying for those crummy commercials don’t belong on television at all.

I’m talking about those cases where the medium – TV – missed the mark completely.

I’m talking about real cases where a business owner is spending a lot of money to reach the wrong people, with the wrong message. That’s the most most glaring error in TV advertising… the polar opposite of effective TV advertising

Here’s an example of TV advertising that misses the mark:

There’s a retailer in my town that sells lavish, high-end patio furniture. It’s designer stuff, it’s practically bullet-proof, and it costs a lot of money.

Guess what that business owner is doing for advertising? Yep. Cheap TV spots.

Talk about the wrong impression. Nothing in his advertising matches his product line at all. Not the message, not the visuals, not the media schedule. It’s a total disconnect…

He says the ads are generating foot traffic, but it’s clearly the wrong kind of traffic. People walk into his patio furniture showroom (lured, no doubt, by the cheesy jingle they heard on TV) take one look at the prices, and hightail it down to Costco or Walmart.

One of his salespeople told me it’s not uncommon for them to actually cuss her out for wasting their time.

And yet the owner keeps doing the same thing, year after year. It falls into the “epic fail” category of advertising 101. It’s insanity.

BNBranding's Brand Insight Blog

If you’re selling high-end, high-cost furniture you need high-end TV production a high-end audience, and a message that whispers elegance. Anything less will be a big whiff.

Here’s another example of how NOT to do effective TV advertising:

There’s a company that offers jet charters for corporate and private use. If you own your own private island and want to sneak away to it for the weekend, you’re in luck. They’re literally selling to the jet set — the top 1% —and yet they’re advertising on local TV to Fred & Barney Rubble.

It’s a total mis-match.

Think about it… The very best outcome the company could hope for is a steady stream of inquiries from people who can’t possibly afford their service. And sure enough, they’re getting a few calls…

“Well gee whiz, I didn’t think it’d be THAT much to fly to my cousin Ethel’s place outside of Winnemucca.”

Filling your sales pipeline with hopeless leads is a waste of money, and probably the worst advertising mistake you can make.

No matter how many spots they buy it’s not going to help sell jet charters.

In that case, better production value wouldn’t matter either. They could hire James Cameron to produce an epic, 10-million dollar 30-second spot and it still wouldn’t move the needle. It’d just generate more phone calls from non-buyers.

Because the company is advertising where the prospects aren’t.

There are digital alternatives now that would deliver their video message much more efficiently than TV. Straight to people who have expressed interest in jet charters. And there are plenty of options that allow the charter company to pay ONLY when qualified prospects actually view the ad.

Look, I am not a media buyer. I don’ t have the propensity for spreadsheets, number crunching and data analysis that’s required for that line of work. However, I know a basic, lousy media buy when I see one, and that is one of them. TV is not the answer in those two cases.

I’m not saying you should dump your entire TV schedule. You should just think adding other options to the media mix that are more targetable.

Here’s one more example, from my experience in golf industry marketing…

I have a client who was recGolf industry tv advertising that misses the markently buying $35,000 worth of TV spots from the local cable company and he wanted my opinion on his media schedule. So I took a quick glance and saw, right off the bat, a whole bunch of time slots during daytime shows that skew heavily toward women.

How much golf equipment do you think women buy? How many golfers do you think are sitting around during the day watching “Psycho Coupon Horders?”

Again, it’s a mismatch. Why would you spend your money running ads that are geared toward affluent men, during daytime TV? It’s just not common sense.

If you’re in the position of reviewing media schedules like that, use your head. Eliminate those time slots. Make the sales guy work a little harder to match his commercial line up with your brand.

And when those salespeople come knocking, always remember this: It’s demand-based selling that hinges entirely on their limited inventory. The popular shows are in high demand, and sell out easily. So the TV salespeople are left trying hard to sell the shows that are NOT in demand.

Yes, the dogs. Sometimes I think they throw-in some dogs on the schedule just to see if you’re paying attention.

I’m not saying that all TV advertising is a waste of money. Not at all. With enough frequency,  the right product or service, and a well-honed message, you can do very well with local TV.

If you have an airline that’s selling $49 round trip tickets to Disneyland, by all means! Buy a bunch of TV ads. Everyone wants to go to Disneyland. But if you’re selling jet charters to Disneyland, don’t waste your time on TV spots.

Duh.

If you’d like a review of your current advertising program, we can assess your strategy, your messaging, your value proposition and the creative execution.

We will also collaborate with a media buyer friend who can save you money on that side of the equation and make sure your buy is as targeted and relevant as it can possibly be.

In the end, you will get you fair, honest assessment from pros who have been in the business for 30 years. The cost is very reasonable, so rest assured, it’ll save you money in the long run. Call me. 541-815-0075.

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Working together for more effective advertising. (12 helpful tips)

Planning, creating, producing and managing an effective advertising campaign is not easy. There are details galore, many moving pieces, and an interesting array of individuals who all need to come together to make it happen.

When it does, it’s really quite magical. It’s a rare marriage of art and salesmanship that produces spectacular results.

more effective advertising from BNBranding

So here is some insight on the process that will help you succeed in advertising, no matter what side of the table you’re on.

This is how we can all work together to create more effective advertising. More memorable design. Better client-agency relationships. And ultimately, stronger brands…

If you’re a client…

1. Make your new campaign a priority.

Give the agency team plenty of your time and unrestricted access so they can be thoroughly prepared. Share everything. Put it all on the table, including the white elephants — if there’s something you absolutely won’t entertain or can’t stand, make that clear immediately. Remember, your agency team wants to help. They want to prove themselves. So as Jerry Maguire (aka Tom Cruise) once said “help me help you.”

2. Embrace the strategy behind the work.

When it comes to presenting ideas, advertising people love the preamble, or “pre-mumble” as a colleague once called it. We’re anxious to show off the thinking behind the work, probably because we know that most business owners don’t have tremendous respect for advertising guys. (They judge harshly and pigeonhole us as “artists” and “whacky creative types,” rather than trusted business consultants.)

We also know that no matter how great the work is, most people need to justify a good gut decision with some facts and data.

more effective advertisingSo we trot out the charts and graphs and point to the insight that we gleaned from all the market research. Then, in classic Don Draper style, we craft a speech to “set-up” the inevitable and brilliant creative solution that the client can’t possible resist.

But…  Many clients won’t hear it.

Their preconceived notions won’t allow it. They just want the sizzle, and if they don’t see it immediately no amount of strategic rationale will sway them.

In that case, “smarter” doesn’t necessarily sell. More research, better planning, and a sharply crafted creative brief count for nothing if the execution doesn’t tickle the client’s fancy.

Of course, just because it appeals to the client doesn’t mean it’ll work in the marketplace. So it gets complicated.  It has to be strategically sound, AND it has to appeal to the CEO.

3. Extricate yourself from the day-to-day, minute-to-minute, demands of your job.

I know it’s hard, but to be fair, you need some perspective. Block out a few days to immerse yourself in your brand without the worries of your daily grind.

You’ll be working with creative people, so get into a creative mindset of your own. At the very least, when it’s time to evaluate your new campaign put everything else aside and focus entirely on the campaign in front of you. That’s just common courtesy and professionalism. The agency team is giving you their full attention. They deserve the same. If you’re answering calls in the middle of a presentation it’ll be painfully obvious that you don’t value their work.

4. Throw the rear-view mirror thinking out the window.

Take a fresh new look at the marketing in your category. Think about the stereotypes that are hurting your business. How could you get past those? Make a list of all the industry conventions and cliches in your particular business. Review the “ways we’ve always done things,” and discard all that baggage for a day. Forget the old, and open yourself up to the genuinely new.

5. Be patient.

There are plenty of brilliant art directors and writers who aren’t good presenters. Listen attentively during the pre-amble, and be slow to criticize anything at that stage. It might not make sense at first, but wait until the presentation is complete. Only then can you judge fairly and delve into the inevitable questions that arise from an idea that may seem outlandish.

more effective advertising BNBrandingg. Embrace the discomfort.

When you see a truly great advertising idea, it will NOT look like anything else you’ve seen. So yes, it’s going to be uncomfortably unfamiliar. You’ll feel like you’re really out there on the edge. Rest assured, you’re not alone in your squirming.

I once saw an amazingly effective, caring CEO get completely lost and befuddled by this. He really wanted to like the work — that much was obvious. But he could not get his head around the one, fundamental fact of advertising:  UNfamiliar is GOOD! Familiar is bad.

That’s the secret to more effective advertising.

If it’s NOT a novel idea, it won’t get noticed. As Advertising legend George Lois once said, “Advertising is like poisonous gas… it should bring tears to your eyes and unhinge your nervous system. It should knock you out.”

So set your expectations accordingly… if they show you an idea that seems “way out there,” you’re probably on the right track. Lois says, “safe, conventional work is the ticket to oblivion.” If they show you something that seems “fine” and familiar, that’s when you should push back and say, is that all you got?”

If you’re the agency account executive…

1. Make a genuine connection with the client.  First, make sure you’re pitching to the right person. The one with the real decision-making authority. Then devote extra time to get to know that person.

One approach is to embed yourself — like a war correspondent — into the client’s business. Camp out. Shadow your client. Listen to everything that’s going on internally. You’ll often pick up subtle cues about the culture and the kind of advertising they’ll embrace.

But it’s not just the business you need to know. I’m talking about the client’s personal taste in everything… political leanings, entertainment preferences, family situation, personality traits. Take a page out of Harvey McKay’s sales playbook, (How to swim with the sharks without being eaten alive) and learn that person inside and out.

2. Communicate, communicate, communicate!

It does you no good to schmooze with client if you don’t share your insight on that person with the creative team. Many AEs hold on tightly to that knowledge, believing it’s power. But that relationship you’ve worked so hard to build is worthless if you don’t win or keep the business. That means close, constant contact with the writer, the art director, the planner and the media person. Share everything you know, and your odds of making that client happy will rise dramatically.

listening for more effective advertising3. Know when to stop selling, and when to start listening.

When the client is presented with a campaign that does not resemble the recognizable, feature-driven advertising that he’s accustomed to, he might seize up. Not know what to say. Your job is to be comfortable with that uncomfortable silence.

Basically, shut up!

Stop selling. Let the idea sink in and let the client lead any further discussion. Don’t be jumping in with superlatives of any sort. They’ll only weaken your case. And defer to the creative team on the executional details.

If you’re on the creative team…

1. Communicate, communicate, communicate!

Yes, good teamwork hinges on communication in both directions. So keep the account person in the loop. Share your ideas early and often. Shut up and listen to the AE, the planner, and anyone else who can help.

Art directors and writers need to be willing to defer to the AE on some issues. If the AE really knows the client, and she says he’ll “never go for it,” you just might have to, for once, defer to her judgement and go back to the well. There’s always another approach.

You might also customize your pitch to the prospect’s personality…

Most creative presentations reflect the personality of the presenter. Turn it around, and make the pitch match the personality of the client. If he’s highly analytical, then the preamble might be crucial.  If he has Attention Deficit Disorder, you’ll want to shorten everything. Cut to the bone. If he’s a contemplative intellectual, build in time for him to think and process.  If he’s funny and dynamic, then by all means, be funny and dynamic.

2. Nail the first 30 seconds.

The first impression is everything, so start with the simplest execution. Hit them between the eyes with one sharp visual or winning line that sums it all up.

Digital ads are great for this purpose… they have to work like billboards on the information highway… you got three seconds to impress.

Ready set go!

Then show how the campaign has legs, and can extend into print, TV, long format video, content marketing and social media.

Think about reorganizing your pitch. Turn the preamble in the post-amble. AFTER you have their attention, and AFTER you’ve blow them away with unexpectedly brilliant advertising or design, then you can present the rationale behind it. But keep it short and sweet. Remember, you’re not trying to solve all their marketing problems in one meeting. You just need to win their confidence so you can move deeper into the creative process.

3. Try to put yourself in his or her shoes.

Since the AE knows the prospect in and out, it should be relatively easy for her to empathize with the client.

But the creative team needs to do the same. Forget about your own position within the agency, and put yourself in your client’s shoes. Realize that he has pressure from all directions, and do everything you can to alleviate some of that. Don’t forget, Advertising is a service business, after all.

Is content marketing your idea of more effective advertising? check out THIS post.

Advertising tips — Bad puns, bribes and other branding blunders

BNBranding logoGuess what…  Great advertising is hard to come by. And advertising mistakes are much more common than home runs like “Got Milk”  “Just Do It” or “Mayhem is Everywhere.”

more effective advertising BNBranding

clients don’t always have the nerve to run the best spots.

Advertising is hard for corporate brand managers who have big ad agencies, market research firms, and millions of dollars at their disposal. It’s hard for the mid-level marketing manager who knows her consumer, her market and her sales pitch, really, really well.

Advertising is even hard for the hottest advertising agencies. They don’t always hit home runs.

So why do so many small business owners think they can do it themselves?

This DIY mentality is rampant. Why do they take it upon themselves to write headlines, choose photos, and dictate the direction of print ads, commercials and digital campaigns?

C’mon. That’s how we end up with so many awful commercials.

Please, if you’re responsible for your company’s advertising — and ultimately, the perception of your brand — delegate the advertising to a pro. Not to the intern who’s doing social media posts. Not the local TV station or radio atation. Not a graphic designer. A real advertising professional. If you do that, you’ll avoid most of the most common advertising mistakes that your competitors are making.

Effective leaders know when to quit and how to delegate. They recognize their own limitations and they hire well-qualified employees and agency partners to fill in the gaps. I guarantee you, the leaders who attract great talent and build sustainable brands are not doing their own advertising.

Micromanagers repel talent. And when they try to do their own advertising, their brands repel customers.

Graham Robertson of Beloved Brands says the best brand managers do two things: They keep great advertising on the air, and they keep bad ads off.  So if you’re in charge, if nothing else, avoid these 4 common advertising mistakes at all costs:

1. Bad Puns

When the experts sit down to devise concepts for a new ad campaign, puns always come up. It’s a natural part of the creative process. Luckily, most copywriters have enough common sense to throw out the bad puns with all the other quickly conjured ideas.

4 common advertising errorsUnfortunately, those who should NOT be doing the ads — bosses, accountants, engineers and spouses — sometimes force puns upon us.

For instance, zoos have a lot of material for puns and adolescent humor. Otters,  lemurs and baboons are just begging to end up in meme hell. “Come and visit our new ‘otter’ space.”  (Sorry. See how quickly that can go south.)

Even banks have digressed into the land of punishing puns. Like this ridiculous one for Washington Mutual, when it was still in business:

Chicken Checking for a has-been bank.

Chicken Checking for a has-been bank

Puns are the low hanging fruit of advertising ideas, and should be picked quickly and spit out. Into the trash. A good writer will turn a phrase, craft the line, and have fun with some words, but he won’t give in to the temptation of puns.

I get paid to tell clients what’s on brand, and what’s off brand. I’ve yet to encounter a company where a bad pun would be on brand.

2. False and misleading claims.

This one should go without saying, and yet I recently read that a local car dealer got fined $28,000 for false advertising. Bait and switch is not a good branding strategy.

I’ve also seen this happen in the natural foods industry…  there are still a lot of snake oil salesmen out there who want to make outlandish, unprovable claims about the healthiness of their products.

Don’t do it. Let your tribe of like-minded, health-conscious adult customers come to their own conclusions. (for more on that check-out this post.) A talented team of advertising pros can find truth in just about any product or service. If they can’t, you better find a different agency.

3. Bribery.

A lot of companies these days want to provide discounts, promos and  “incentives.” These come in many forms, from deal-of-the-week online coupons to Facebook promotions and new client referral deals.

Unfortunately, “offers” like that are like the crack cocaine of marketing. People get hooked. They’re not loyal, long-term customers, they’re just deal junkies looking for a fix.

Next week they’ll be off buying from someone else with a better offer. It’s not a good, long-term strategy unless your prices substantially lower than your competitors.  Are you out to build a “value” brand in your category?  If so, go right ahead! Run discounts, sales and incentive programs all day long. Attract as many of those deal junkies as you can and be prepared to continuously court a whole new crew of customers.

If not, you better spend time devising a new value proposition. You need better reasons to buy than just price.

4. Talking about yourself

Delete the words  “we” “me”  “ours” “I” and “my” from all your marketing communications. If you’re talking about yourself, listeners will tune you out faster than you can say “next station.”

Your insider information does not translate to relevance for the consumer. And cliches like “our friendly courteous staff…” will do absolutely nothing for your bottom line.

BNBranding how to choose the right message for your adsAll the consumer cares about is “what’s in it for me?”  So if you want to get through to customers and make sales, talk about them. Not about you, or your family, or your company, or your company’s processes.

I saw an awful commercial recently for a local golf course (The high-falutin’ kind of course that charges $85 bucks a round but isn’t as good as the local municipal course.)  It was nothing but a family portrait of the pro/owner and his not-so-cute family.  “Hey, look at us!”

The spot was based on the ridiculous assumption that “family owned” counts for something among golfers. To me it just means that guy and his family are getting rich by overcharging for a mediocre round of golf.

Talk about flushing money down the drain. Not only will that claim NOT attract golfers, the message will actually REPEL prospects and encourage them to call the neighboring golf course where there aren’t any little rug rats running around.

I guarantee you, that was a do-it-yourself ad. (I think he committed three out of the 4 advertising errors.) He might as well just give his hand his competitor the money he spent on that commercial.

For more on how to do better advertising, try THIS post.

If you want advertising that’s well thought out, and well executed, call me at BNBranding.

BNBranding's Brand Insight Blog

2 branding fundamentals in the guitar guitar business

Branding Fundamentals – The ABCs of Branding are RCD

Relevance. Credibility. Differentiation. These are branding fundamentals. When you look at companies — large and small — that have become successful brands, you’ll notice strength, consistency and often superiority in those three areas.

Branding fundamentals begin with Relevance.

Brand relevance is closely related to specialization and niche marketing. Because you can’t be relevant to everyone.

My friend Preston Thompson painstakingly crafts high-end guitars for discerning bluegrass musicians who are looking for a very specific, classic, Martin-like sound.

Obviously, the Thompson Guitar brand is not relevant to those of us who don’t play the guitar. Duh!

But it’s also NOT relevant to most guitar players. NOT relevant to pop stars or young, smash-grass musicians. Not relevant to classical guitarists. Not even relevant to most blue grass guitarists.

Wisely, Preston doesn’t worry about that.

The Thompson Guitar brand IS relevant to the tiny, narrow niche of customers they’re looking for. Rather than casting a wide net, and  trying to be relevant to a broad range of guitar players, they’re staying esoterically focused.

Relevant to few, but highly valued.

The more focused you are, the easier it is to maintain relevance among the prospects who matter most. Relevance is not an absolute. In fact, it’s a bit of a moving target.

Blackberry was once a highly relevant brand among young, upwardly mobile, hyper-busy professionals. Not anymore. Technological advances from Apple and Google wiped the Blackberry off the map. Such is life in the world of high tech… if you’re not innovating quickly your brand relevance will fall faster than you can say Alta Vista.

Relevance in the restaurant business is also ridiculously fleeting.  Foodies, who are the bread and butter of the trendy restaurant scene, suffer from a severe case of “been there done that” syndrome. So when something new comes along, they’re gone  and the hottest restaurant of the year gets quickly supplanted by the next great thing. The restaurants that thrive in the long run find an audience after the foodies have left the building.

The demise of Sears demonstrates a dramatic loss of relevance. There’s still a very small audience of elderly consumers who have been buying appliances and tools there for 50 years, but the brand can’t survive on that.  It’s NOT relevant to younger consumers who represent the future of retail. High school girls would rather be shot than caught shopping at Sears.

too many choices BNBranding Brand Insight BlogSometimes entire categories experience a dip in relevance. Like what’s happened in the soft drink industry… bubbly drinks like Coke and Pepsi are not as relevant to young consumers who have taken to Glaceau Vitamin Water, Gatoraide, SoBe, Arizona Iced Tea, Kombucha and more than 50 other alternatives.

It’s a function of choice, really. When I was growing up, we didn’t have all those choices. Just milk, Coke or Kool Aid in the summer.

The more choices there are in your category, the harder it is to maintain relevance.

It’s tough staying “on the radar” when there are so many new products, new companies, and new offerings being unveiled. How many of the 50 brands of flavored water do you think will be around ten years from now?

Being relevant equates to being meaningful. If your brand is meaningful, you’ll generate interest. People will desire it. And they’ll take action. That’s what you want: Interest. Desire. Action.

Many brands fail because they didn’t really mean anything to begin with.  Others lose their meaning over time, often due to a lack of credibility. They haven’t mastered the branding fundamentals.

Branding Fundamental #2: Credibility

Credibility begins by knowing yourself, your brand, and the core essence of your enterprise. You can’t stay true to yourself if you don’t know what you’re really about… your passion, your purpose and your promise. Write them down. That’s one of the things that all great brands have in common… They live by their brand values.

BNBranding how to choose the right message for your adsIt’s been said that branding is about promises kept. That’s how you build trust and loyalty. So don’t bullshit people about what you can do or deliver. (That’s another, very basic, branding fundamental.)

Good sales people often gloss over the realities of delivery in order to get the sale. Like the famous line from an old FedEx ad… “We can do that. Sure, we can do that! (How we gonna do that?”) Every time you over-promise and come up short, your credibility takes a hit.

Instead, set realistic expectations. And if things do go wrong, don’t be afraid to say, “yeah, we really screwed up.” And do it quickly! In this world of social media you have to move fast to stay ahead of any bad news.

So let’s assume that you know yourself well and you’ve established a trusted brand. The easiest way to screw it up is to advertise something you’re NOT. Like a personal injury lawyer claiming to be friendly and honest.

And if you really want to compound the problem, try using a celebrity of questionable credibility. That’s a double whammy! Every brand affiliation reflects on your credibility.

Often what you’ll see is advertising based on wishful thinking rather than brand realities or customer insight. The ego of the business owner clouds the message that gets out and harms the credibility of the company. Ego is also a common culprit when it comes to differentiation… CEOs and business owners start thinking they can do anything.

brand differentiation BNBrandingBranding Fundamentals: Differentiation.

The best brands take the conventional thinking of their industry and throw it on its ear, disrupting everything that came before. They discard the age-old excuse; “Yeah, but we’ve always done it this way.”

You cannot differentiate your brand by watching the rear-view mirror or by following the lead of others in your industry. Instead, try the convention-disruption model… Think about the standard operating procedures and practices of your industry – the conventional approach – and do something else.

There are three key areas where differentiation can produce some dramatic business gains:

Product/Service Differentiation

The best marketing programs begin with products designed to be different from the get-go. There are plenty of ice cream brands out there, but only one with the crazy, mixed-up flavors of “Late Night Snack.” Ben & Jerry’s continually differentiates itself with its creativity in the flavor department.

Operational Differentiation

If you have me-too products you can still differentiate yourself through operational innovation. Be more efficient, more employee-friendly, more environmentally conscious, whatever. For Walmart procurement and supply chain management was the differentiator. That’s what enables them to keep prices so low.

Business Model Differentiation

This is a good option that applies mostly to start-ups. If you can find a better business model, and prove that it works, investors will notice.  But keep in mind, consumers might not know the difference, so you still have to do other things well.

Marketing  Differentiation

In crowded markets with many similar offerings it’s often the advertising and marketing programs that push one brand to the front of the pack. Additionally, in advertising circles there are three areas where you can differentiate yourself:  Strategy, media, or creative execution.

Take AFLAC for instance… Before that obnoxious duck came along, no one even knew what supplemental insurance was. That’s creative differentiation. And no one else in that niche was running television. That’s media differentiation.

The famous “Got Milk” ad campaign utilized a disruptive new strategy for the category, as well as exceptional execution.

RCD. Relevance. Credibility. Differentiation. Most companies are lucky to get one or two out of three. The greatest brands are three for three.

Want more on branding fundamentals? Try THIS post. 

 

 

 

 

 

 

 

 

 

craftsmanship of great advertising on the Brand Insight Blog

Craftsmanship in Advertising (God is in the details.)

I seldom write about Super Bowl advertising. (Too many other commentators offering their expert insight on the latest crop of outlandishly juvenile spots.)

Besides, for most small business owners there’s no worthwhile takeaway from those big-budget productions. No marketing lesson to be learned. Spending millions to air one commercial just doesn’t compute.

truth in advertising BNBrandingBut in 2013 I had to share this piece about craftsmanship in advertising. The Ram truck spot from that Superbowl exemplifies everything that’s good about advertising…

Powerful story telling. Authentic voice. Arresting drama. Painstaking attention to detail. And craftsmanship in Advertising.

Even if you don’t have the money for a big-budget TV spot, those rules still apply. In this era of social media saturation where anything can be an ad, it’s more important than ever to learn from the craftsmanship in advertising and apply it to your own marketing efforts. No matter how small. 

If you just slap your business name onto a digital ad and blast it out there, you’re not going to get the results you’re looking for. If you neglect the production details, and the wordsmithing, and the design, your advertising will fall flat. If you settle for mediocre ads you’ll get mediocre results.

Anyone who’s handling any little slice of the marketing pie can learn from this superbowl spot…  It’s the perfect example of how the craftsmanship of great advertising can move the needle for any brand.

Here’s the original post: 

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I’ve never heard such a hush fall over a Superbowl party. The commercial titled “So God Made Farmers” disrupted things almost as much as the Superdome power outage.

If you don’t think poetry has a place in business and marketing, think again. Just listen to these words:

“So on the eighth day, Good looked down on his planned paradise and said, ‘I need a caretaker.’ So he made a farmer… God said, ‘I need somebody to call hogs and tam cantankerous machinery. Someone strong enough to clear trees and heave bales, yet gentle enough to wean lambs who will stop his mower for an hour to splint the leg of a meadowlark.’ So God made a farmer…”

craftsmanship in advertising on the Brand Insight Blog by BNBranding

Farmer image for Ram Trucks Super Bowl ad

“I need somebody who can shape an ax handle from an ash tree, shoe a horse with hunk of car tire, who can make a harness out hay wire, feed sacks and shoe scraps. Who, during planting time and harvest season will finish his 40-hour week by Tuesday noon and then, paining from tractor back, put in another 72 hours.” So God made the farmer.

Watch the long version HERE.

 

The imagery is arresting. The pacing and rapid-fire alliteration, perfect. The details, unquestionably credible.

And that voice! The choice of using Paul Harvey’s original voice-over was a genius move. For 45 years Paul Harvey he was the Walter Cronkite of the radio… everyone knew him and every marketing guy in the country wanted him pitching their products. When his name appeared on the screen, every baby boomer stopped.

Rich Lowry, Editor of the National Review wrote, “Delivered by Paul Harvey, who could make a pitch for laundry detergent sound like a passage from the King James Bible, it packs great rhetorical force. Listening to it can make someone who never would want to touch cows, especially before dawn, wonder why he didn’t have the good fortune to have to milk them twice a day. In short, it is a memorably compelling performance, and without bells or whistles (of most superbowl spots.)”

craftsmanship of great advertising on the Brand Insight Blog“The spot stuck out for thoroughly how un-Super Bowl it was. It’s a wonder that CBS didn’t refuse to air it on grounds that it wasn’t appropriate for the occasion. It was simple. It was quiet. It was thoughtful. It was eloquent. It was everything that our celebrity-soaked pop culture, which dominates Super Bowl Sunday almost as much as football does, is not.”

It wasn’t just a subtle tug on our heartstrings, but a two-ton pull that produced dramatic results. It’s been viewed over 10 million times in just one week. 10 million voluntary impressions, above and beyond all the eyeballs that were glued to the TV in the 4th quarter of the game. And according to Bluefin Labs, which specializes in analytics for social television, the Ram spot was “the most social commercial” of the game, generating 402,000 comments in social media.

AdWeek magazine said it was the #1 spot of the year, with the Budweiser baby Clydesdale commercial coming in at number 2. (Another heartwarming story)

But it was not a new idea. Truck companies have been using this sort of borrowed interest for years, leveraging the themes of hard work, craftsmanship, and salt-of-the-earth American values. But the details in the execution, this time, were far superior to the typical down and dirty truck ad.

Paul Harvey actually wrote that riveting monologue back in 1978 for the national FFA convention. The words themselves pack such force, the video footage almost seem like an afterthought.

Kudos to The Richard’s Group for producing it. And to the folks at Ram who approved it. There are a million ways they could have screwed it up.

First, many marketing execs would never approve the use of the word “God” in a commercial, for fear of offending the 70% the population who don’t go to church regularly.

Many companies, in an effort to save money and maximize their media buy, would cut corners when it comes to photography.

craftsmanship in advertising Branding Blog by BNBrandingNot this time. They didn’t opt for cheap stock images. Instead, the agency commissioned 10 photographers, including William Albert Allard of National Geographic and documentary photographer Kurt Markus, to create the images that form the commercial’s backdrop. Gorgeous.

The only problem is, the connection to the Ram Brand was a bit of a stretch for me. (But then, I’m not a truck driver, nor a farmer.)

Ram is a brand that’s attempting to reinvent itself. No more “Dodge Ram.” Now it’s just Ram, and they’re looking for things — themes and concepts —  to affiliate themselves with.

Might as well be God, and country, and hard-working farmers. With great execution, during the biggest game of the year, it’s hard to go wrong with that.

For more on craftsmanship in advertising and how to create more effective advertising, try THIS post.

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2 positioning strategy BNBranding

Marketing Resolutions (3 easy paths to better branding)

new years resolutions for better branding2018 promises to be a great year for business owners and marketers who are willing to follow a few simple resolutions. I could have written a dozen or so, but that would go against the number one resolution for better branding:

• Resolve to be short and sweet. (Whenever you can)

There’s a proven paradox in marketing communications that says:  The less you say, the more they hear.  So stop with the generalities and the corporate double speak. Instead, try plain English. Hone in one specific idea and pound it home with powerful mental images and just a few, relevant details.

Behavioral scientists have shown, time and time again, that our brains are hard-wired to discard information. Malcom Gladwell touches on this “unconscious intelligence” in his book “Blink.” And Bill Schley spells it out nicely in his book on micro-scripts.

The human brain has a very active built-in editor, so if it sounds complicated or confusing, we just discard it.

The brain automatically defaults to the simplest, fastest, most understandable messages. So sharpen your pencils, discard all the superfluous nonsense and get the heart of the matter. That’s the key to better branding… Use fewer elements. Simple words. And images that can be “read” at a glance. Because the message with a narrow focus is the message that’s widely received.

Don’t get me wrong… there are times when long copy is absolutely the best answer. But even when it’s long, it needs to be direct and to the point. Not a roundabout of facts, figures and corporate nonsense.

tips for better branding on the brand insight blogResolve to stop boring people.

It doesn’t take a rocket surgeon to convince you that boring stuff doesn’t sink in. Usually, if you follow resolution Number One, you’ll avoid this problem pretty easily.

The new year is a great time to refresh and rethink your marketing materials. That old Powerpoint deck you’ve been using… toss it out and start from scratch. Those tired stock photos… commission a pro to replace them. Those little pay per click ads you’ve been milking along… gone. That website that hasn’t been updated in years… don’t shed any tears over that.

Sure, you’re creating more work for yourself, or for a qualified marketer, but the process of re-inventing is well worth it. Without even thinking about it you’ll integrate what you’ve learned this past year and improve things dramatically.

Remember, you can only get their attention and hold their interest by using unusual, distinctive, and unpredictable stimuli. Just the opposite of boring stuff.

Resolve to tell stories.  

bend ad agency portfolioHere’s another way you can avoid boring ’em to death: Tell good stories. Stop reciting data and repeating industry cliches and start using original narratives and colorful metaphors to get your point across.

Stories trigger emotions. Emotions demand attention.

Telling a good story is not that hard. Think about it…You’ve been telling stories your whole life, just probably not in a business context. Everywhere you turn you’re entertained and engaged by stories. Every game you watch is a story. Every YouTube Video and every comic you read has a story. Even email exchanges can become convincing stories.

Storytelling is a wildly undervalued in the corporate world. But if you look at the brands that have been most successful in any given market, they’re all good at telling stories. As are the leaders of those companies.

Think about the role your company plays in stories of your best customers, your key suppliers and even your biggest competitors. Are you the Ruler or the Reformer? The Maverick or the Mentor? The Guardian or the Gambler?

Those archetypes show up in every story ever told.

What’s your story this year, and how are you going to tell it? Do you have a David & Goliath story you could be telling? Or maybe a coming-of-age story. Imagine how well that would play, relative to another, boring Powerpoint presentation.

Resolve to stop throwing money at the latest, greatest deal of the day.

This is for retailers who are constantly barraged by offers to run more and more offers. Stop the madness!

Constant discounting is not going to help build your brand for the long haul, unless your brand happens to be WalMart, Kmart, or Dave’s Discount Deal of the Day Store.

tips on how to get better branding on the brand insight blogOtherwise, it’s just another way of screaming Sale! Sale! Sale! All the time. It undervalues your product, attracts the wrong kind of customers and sabotages your brand narrative. It’s like the cocaine of marketing. Is that the story you really want to be telling?

If you’re going to do Groupon-style discounting, look at it this way: It’s a short-term cash flow band aid. Nothing more. If your business is very seasonal it can help get you through the slow months, but it’s not a long-term marketing strategy, much less good branding.

Most business owners are beginning to see that. According to Fast Company Magazine, the daily deal industry is in a “healthy period of reassessment right now.”  In other words, there’s a big shake-out going on and even the big guys, Groupon and Living Social, are re-thinking their value propositions because their clients are not seeing sustainable results.

Most success stories in that business come from retailers who use daily deals as a loss-leader tactic… get them in the door with a discount coupon, then up-sell them into a much larger, more valuable product or service. But remember, the people who regularly use Groupon are bargain hunters, so that upselling idea may or may not work. For most companies, it’s a profit killer, not a growth strategy.

Obviously, there are hundreds of ways you can do better branding. But these three are a good start. Resolved to do at least one this year, and you will see results.

For more on how to do better branding, try THIS post. 

 

6 truth in advertising BNBranding

Truth, Lies, and Advertising Honesty.

I don’t comment on politics. However, the recent political dialog has certainly inspired this week’s post on brand authenticity, honesty and truth in advertising.

In politics, the standards for lying are lower than they are in business. You can sling mud and hurl half-truths at your opponent and get away with it. He’ll just sling it back. Or the populace will simply look the other way.

In business, it doesn’t work that way.

Consumers are quick to call you out, via social media, if your advertising is BS.  And if you say nasty things about your competitors, you’ll probably get sued. It’s actually illegal to blatantly mislead consumers, and if you live in a small town, like I do, disparaging a competitor will almost always come back to bite you in the Karmic ass.

truth in advertising BNBrandingBut in marketing, branding, advertising and selling, there’s a big, gaping grey area when it comes to the claims you make and the image you portray.

Many people believe “truth in advertising” is an oxymoron. Burgers always look bigger and juicier in ads than they do in real life. All women are rail-thin and perfectly endowed. And it’s always clear skies and mai-tais in the travel brochures for Kaui. (No one really expects them to show the island in downpour.)

So critics jump to the conclusion that all advertising is false advertising. That all marketers use dishonest “trickeration” to get us to buy things we don’t want or need. There is no truth in advertising. Alternate facts, maybe, but not truth.

Not so.

Great brands are built by business owners (and their agencies) who know how to tell good stories. And good story telling always involves elements of truth, plus a little “creative license.” Even the most well-documented non-fiction stories are not 100% true.

Ken Burns, the famous documentary filmmaker once said, “all story is manipulation. Truth is a by-product of our stories. And emotional truth is something you have to build.”

As marketers, that’s what we’re really after… emotional truth. Nothing works better.

When your brand story strikes an emotional chord that matches someone’s personal world view, you have a truth in his mind, and a winning campaign.

It’s more like suggestion than manipulation. In this age of instantaneous customer reviews, manipulation won’t fly. You have to be more subtle than that.

BNBranding truth in advertisingIn Seth Godin’s book, “All Marketers Are Liars” he reminds us that the brand story you tell isn’t really your story at all. It’s the consumer’s. You might try to “sell your story,” but in the end it’s the consumer who convinces himself why he wants or needs your product.

In a recent 60-minutes episode, the producers tried to paint the Italian eyeglass company, Luxottica, as irresponsible and phony because they make eyewear for dozens of different brands, including Oakley, RayBan, Prada, Polo, Coach, Vogue and many others.

60 Minutes says it’s misleading, that all those fancy brands are made out of the same factory. Perhaps, but I don’t think anyone cares. The factory that produces the glasses, and the parent company behind the factory, are not the story that’s relevant to consumers.

Sometimes truth just doesn’t resonate.

Regardless of the fact that all those glasses come from the same factory, consumers will convince themselves that their brand is better. Different. More desirable. That’s the power of great, long-term branding.

When you buy designer glasses from DKNY or Tiffany & Co. you’re buying into a different story than if you choose Oakleys. For some people, the Oakley story is more personally meaningful. More “true.”

For me, it’s not Oakley or any of the designer brands. It’s the Maui Jim story that rings true. Or at least, the most truthful for me.

As consumers, we constantly frame and reframe “truth” to fit our own values and beliefs. 

Marketing helps the process along, basically enabling us to continue telling ourselves stories that justify our purchases. Even ridiculous ones like $300 sunglasses.

The famous, old Avis campaign is a good example.  By adopting the tagline “we try harder,” Avis helped people reframe the truth… that Hertz is #1 in the market. Suddenly, that market leadership position didn’t equate with the best.

That long-running campaign rang true for millions of people, and helped Avis grow tremendously.  It was an idea that lasted more than 40 years.  Was it absolutely true? No, probably not. I doubt that every Avis employee actually tried harder than the guys at Hertz.  But inside the company it was truthful effort.

So here are some tips for truth in advertising, marketing and branding:

1. Facts are far less interesting than stories. If the facts are truly on your side, that’s great, your marketing job will be a lot easier. But you still need to find a creative way to present those facts.

2. If you have a me-too product, you’re going to have to “bluff with fluff.”  That’s when your advertising messages are even more critical to success. You have to come up with something beyond the product or service to hang your hat on. That’s what Avis did. That’s what Allstate’s doing with the “mayhem” campaign.

truth in advertising anchored in truth BNBranding3. Make sure your marketing communications are anchored in truth. The premise of your campaign, and the meat of your message, has to hold water. Otherwise, consumers will tag it immediately as B.S.  The mayhem campaign for Allstate is anchored in a common truth… that trouble lurks around every corner.

4. Be consistent. Once you figure out what that emotional truth is, stick with it!  You can vary the execution, but the underlying message and the “voice” of the campaign needs to stay the same. The more you change, the less credibility you’ll have. Click here to get help from BNBranding.

5. Always portray your product in the best light possible. Being “authentic” doesn’t mean you should use crappy photos of your product, or cheap packaging. If you have to, leave out the facts that point to another choice. Steer the conversation your way.

6. Admit it when don’t know or can’t stack up. Admitting a true shortcoming of your company or your product is a great way to disarm prospects and build trust.  Be truthful about what you don’t do, and use that to your advantage.

truth in advertising BNBranding

7. Never pay people for “reviews,” and don’t write fake testimonials. Verbatim comments from happy customers carry a lot of weight, but people can tell if you’re writing them yourself.  There are subtle little language clues that give you away, every time.

8. Remember, your story is what the consumer believes it to be. And one person’s truth is another’s lie.  You’ll never please all the people… Just those who share the alternate reality of your particular market segment.

9. Business is about relationships. Relationships hinge on trust. So lying, cheating or doing anything that betrays trust, also hurts the brand. As Marty Neumeier said, “Trust is the ultimate shortcut to a buying decision, and the bedrock of modern branding.”

10. Remember that consumers are deeply, contagiously skeptical.  And if they feel they’re being duped, they’ll shout it out any way they can.

11. Be Novel.  Great novels aren’t true but they reveal truths. They involve deep, meaningful characters and a storyline that grips, moves, builds. Brands should do the same.  If you’re staying static, you’re losing relevance. And great writing is a differentiator, all by itself!

For more on how truth in advertising, check out this post.

Click here to get help from BNBranding.