Category Archives for "Graphic Design"

9 Cheap logo designs – Getting literal for little.

These days, any business owner can get a logo design online. Just answer a couple, very basic questions and voila! A week later you’ll have dozens to choose from. Most of which will be painfully literal.

If you’re in the roofing business you’ll get a drawing of the roof of a house. If you’re in the ice cream business, it’ll be a cartoon ice cream cone. If it’s the veterinary industry, it’s always a dog and a cat together in one logo. Continue reading

10 Yes, when it comes to websites, design matters!

There was a group discussion on LinkedIn recently that started with this statement: “Web design is a waste of money.” It’s nonsense, of course, but that headline provoked quite a debate.

It’s interesting to see graphic designers on one end, and web programmers on the other, arguing their respective positions. One group believes web design should take a back seat to web marketing and functionality. After all, what good is a website if you’re not driving traffic to it. The other believes you should make sure the site is well polished before you drop a dime to drive traffic.

I’m pretty well stuck in the middle.

As a traditionally trained advertising copywriter, I tend to side with the designers. As “creatives” we’re trained, from birth, to make sure every detail is perfect before we deliver the work to a client. Because we know details affect conversion rates. It’s been proven time and time again.

But I also understand the other side of the argument… In the entrepreneurial world, as in software development, “lean” is word of the week. Their mentality is, “just get something up, and we’ll fix it later.”

That’s a tough one for writers and graphic artists who always want to do great work. But as a CEO friend once said, “it’s not great work if it’s not done.”

So what we need is a high-bred approach that combines the craftsmanship of old-school advertising with the rapid “lean development” approach that entrepreneurs favor. We need to get web designs done quickly, AND do them really well. Quick and polished, not quick and dirty.

One comment in that discussion was, “I cannot think of a time when website design affected my decision to keep looking at a site.”That’s ridiculous crazy talk from someone who thinks we go through life making decisions line by line in an orderly, logical fashion.

I guarantee you, that person is affected by design EVERY time. He just doesn’t know it.

Of course he “can’t think of a time,” because great web design works on subconscious level that computer programmers don’t understand, nor acknowledge. It’s an instantaneous, subconscious judgment that leads to spontaneous click of the mouse. There’s absolutely nothing logical about.

Before you know you’ve made a decision, you just stay and linger, or you leave. You don’t know why. You just do.

The latest brain research shows that humans can initiate a response to stimuli before the neocortex can even interpret the stimuli. In other words, we act before we think.

So the first impression is critically important, and that hinges on design.

Poor design leads to confusion, and nothing drives people away faster than confusion. If the immediate, split-second impression is that you don’t know what the site’s about or what to do next, you’re outta there. There are plenty of pretty websites out there that don’t convert worth a hoot because of this.

Poor website design leads to all sorts of problems.

On the other hand, good design leads to clarity, and understanding at a glance, which is the litmus test for sticky websites. Instantaneous recognition of relevance.

I think part of the problem with this discussion is a limited definition of “design.” When it comes to websites, design is not just the aesthetic elements, as in traditional graphic design, but also the site planning, messaging, and usability.

It’s a holistic approach to web development that I like to call Conversion Branding. It’s a well-coordinated team effort between a copywriter who knows conversion architecture, a talented graphic designer, a technically proficient programmer, and a trusting, intelligent client.

Remove any of those people from the equation and the website simply will not come together as you had hoped.

But back to that discussion… Much of the thread was about the importance of “web marketing” vs. “web design.” In that case, balance is the key…

You don’t want to spend money to drive a lot of traffic to a website that isn’t enticingly relevant and professional.

There’s an old saying in the advertising business: “nothing kills a lousy product faster than great advertising.” If your website is lousy, driving traffic to it will just increase your bounce rates, which indicate how many people abandon you in favor of some other, more appealing site.

On the other hand, you don’t want to spend too much on design only to be left with no money for “web marketing” that’ll push traffic.

I agree that having something up and online is better than nothing at all. But be careful… If you’re Microsoft, you can get away with it. The brand allows something that’s far from perfect. But if you’re not very well known, people are pretty unforgiving. One lousy experience and it’s bye-bye. They won’t return for your website 2.0.

There are two things you need in order to get a good site up fast: a well crafted brand strategy which provides context and perspective, and a detailed website plan that spells out specific objectives, target audiences, paths to conversion and other critical elements of your site.

If you leave your web site production to the computer nerds, you won’t get the brand strategy, the site plan, or the great design. HTML programmers simply follow directions and program the site as it’s presented to them, in the fewest keystrokes possible.

And guess what… designers aren’t very good at that strategy stuff either. I’ve seen designers obsess over the tiniest minutia and then miss the fact that the main headline of the home page is completely unrelated to the business at hand.

It’s a mess.

So we’re back to that idea of balance and a four-person team. Design absolutely matters. But so does Functionality. Messaging. Conversion. Authenticity. SEO. Photography. And copywriting, don’t forget that.

For some reason, most business owners seem to think they can write web copy, even though they’d never dream of writing their own print ads. Or video script. Or TV spot. But that’s a topic for another post.

Suffice it to say, most business owners don’t have the skills they need to produce a good website. Unfortunately, neither do programmers. Neither do designers. You need the whole team.

Together you might just find a great design that also produces results.

 

5 How to make your website work — on many levels.

It’s been very interesting to watch the progression of web development over the last 20 years. Trends come and go, technology improves, new platforms have been developed and the graphic style continues to evolve.

These days it’s much easier to do it yourself, and that DIY trend seems to be producing a lot of cookie-cutter, template-driven websites that are wearily one dimensional. The fact is, your site needs to be multi-dimensional. In this age of mobile computing it needs to function as an on-line calling card, a customer service tool, a lead generation tool, an educational tool and, for many companies, a storefront.

So let’s look at a few of the most critical levels of website performance…

The good, old-fashioned, phonebook level.

yellowpagesIn case you hadn’t noticed, the phone book is fading faster than you can say “Blackberry.” Now that we all have a computer in our hands at all times, Google IS the phonebook.

So on the most basic level, your website needs to function as a phonebook listing. There’s nothing fancy about that. Phonebooks provided only the basics; who you are, what you do, when you’re open, where you’re located, and of course, the phone number where prospective customers could learn more.

The same can be said for your home page. Cover the basics, front and center, and make it very simple for people to access more information if they want it.

But that’s just the first 5 seconds of engagement. In many cases that same site has to work much harder than that, for 50 seconds, or even five minutes.

Here’s an example: Say you’re locked out of your car on a cold night and you’re searching for a locksmith on your mobile phone. You’ll probably call the first company that pops up that offers emergency service .

Comparison shopping doesn’t come into play.

yellowbookpittsburghBut six months later you might find yourself searching for a locksmith with a completely different set of expectations. For instance, if you need new locks on all the doors of your office building you ‘ll probably sit down at the computer and compare a few locksmith websites before calling anyone.

Same, exact unique visitor — different context. Different search criteria. Different behavior. So in that case, the locksmith’s website needs to work on another level.

The first impression level.

The most basic rule of marketing is to make a good impression. Quickly! If you don’t, you’ll never make it to conversion. Doesn’t matter if it’s a business card, a Powerpoint presentation, any other tactical marketing tool… the first step to success is making a good impression.

So how do you do that on a website?

Famous Chicago MadMan, Leo Burnett, once said, “Make is simple. Make it memorable. Make it inviting to look at. Make it fun to read.” There you go. That old-school thinking still applies.

Unfortunately, that’s a tall order for web developers who are accustomed to writing code, not copy. And it’s impossible for business owners who are muddling through a do-it-yourself website… “Choose a color. Insert logo here. Put content there. Proceed to check out!”

BECONVINCING_VThe fact is, most small-business websites fail miserably on this basic, 50-second marketing level… They’re not memorable. They’re not fun to read. And they look just like a million other websites built on the exact same design template.

That’s why the bounce rate from home pages is so ridiculously high… They don’t make a good first impression. In fact, most make no impression at all.

The conceptual, branding level.

Pliny The Elder once said, “Human nature craves novelty.”

More recently, marketing guru Seth Godin said, “In a crowded marketplace, fitting in is failing. Not standing out is the same as being invisible.” The whole premise of his book, Purple Cow, is “if you’re not Distinct, you’ll be Exctinct.”

Being distinct is what branding is all about.

Unfortunately, most business owners have no idea what “distinct” looks like in a website. And web programmers have a hard time disrupting the conventions of their tech-driven business, so you can’t rely on them for innovation.

The conceptual level of your website revolves around your core brand concept — that one, engaging idea that goes beyond your product and price, and touches on a deeper meaning for your business.

bmw_uou

Brilliant, one-word ad that says it all for BMW.

For example, BMW’s core brand concept is stated very clearly: “The Ultimate Driving Machine.” It’s about engineering, handling and speed. It’s not a brand for soccer moms. The first glance at their website makes that clear.

When communicated consistently, a core brand concept will provide three things: Differentiation. Relevance. And credibility. Every great brand maintains those three things over time.

Often it’s not an overt statement, it’s a collection of symbolic cues and signals that come together to provide the ultimate take-away for the web user.

It’s the use of iconic, eye-catching images rather than stock photography. It’s a headline that stops people in their tracks and questions your competitors. It’s navigation design that’s both intuitive to use, AND distinctly different. It’s clear, compelling messages each step of the way. And most importantly, it’s craftsmanship!

When your site is well crafted your conversion rates will dramatically increase. Guaranteed. So rather than just jumping into a quick, do-it-yourself site, stop and think about your brand. Do you even know what your brand stands for? What your promise is? Can you communicate your idea in one sentence? Do you really know your market, your customers, your value proposition?

Those are the fundamentals. That’s the homework you need to do before you even start thinking about HTML programming. Because no amount of technological wizardry can compensate for the lack of a clear, 2349098787_2cd660c18csingle-minded brand idea.

The research or “how-to” level.

The deepest level of engagement is content that educates. People are hungry for information and quick to examine the details of even the smallest purchases, so give them the meat they need to make an informed decision. Don’t make them go to your competitor’s website for honest insight on the purchase decision they face.

On business-to-business websites this often takes the form of webinars, white papers, videos, articles, blogs and tutorials. On retail sites it’s third party reviews, product comparisons and user-generated content. This is where you site can get very deep and very relevant for serious prospects. Don’t overlook it.

The conversion level.

Lest we not forget the ultimate goal of most sites… to persuade, sell, motivate and move people to action. If your site’s working on all those previous levels, it’ll happen quite naturally.

If you want to improve the performance of your website, and transform your ordinary business into a powerful brand, give me a call. 541-815-0075.

4 Class A Offices. Class C Websites.

Moved into a swanky new office building last week. (Great views of Mt. Bachelor, Broken Top, Three Sisters and the Phoenix Inn parking lot.)

BNBranding new office building

The Alexander Drake Building, Downtown Bend, OR

As I was unpacking boxes, lifting heavy furniture and contemplating the feng shui, it occurred to me that office makeovers are much easier than website makeovers.

Professional service firms spend a lot of time and money on their office space. And rightly so. For companies with no tangible product to sell, it’s a crucial component of the brand.

For instance, when it comes to selecting an ad agency, office space always figures into the equation. The workspace is a tangible display of the agency’s creativity and “out-of-the-box” thinking. Or lack thereof.

Clients love doing business with people in cool offices. They want to go somewhere that feels different, better, or more energized than their own office. It’s an escape from their normal, day-to-day reality. Take a tour of Weiden & Kennedy’s Portland headquarters and you’ll see what I mean.

For architects the office is an everyday opportunity to show off their work. It’s exhibit A in the firm portfolio.

For attorneys it’s about showing off their ivy league law degrees and proving, somehow, that they’re worth $350 an hour.

Harry Beckwith, in “What Clients Love,” tells how State Farm Insurance chose a firm to handle a huge payroll and benefits contract. They looked at all the proposals, narrowed the field, sat through presentations and listened to pitches from several very capable companies.

Then they dropped in, unexpectedly. They walked through the offices, said a quick hello to their contacts, and chose the firm that “felt the best” based on that one visit.

The details matter… Location. Colors. Layout. Even the coffee you serve says something about your brand. Is your company percolating along on Folger’s, or is it serving up a hot shot of espresso with a perfect crema on top?

When was the last time you freshened things up around your office? Sometimes a good, old-fashioned spring cleaning is just what your people need to get reenergized… Rearrange the furniture. Paint some walls. Change up the artwork. Shuffle offices around. Freak people out!

And what about your website? Many professional service firms with Class A office space still have old, Class C websites. If so, you need a website makeover. Because these days, your site might be more more important than your space.

Ask yourself this: Is there a disconnect between what people see on your site and what they experience at your office? Be honest. If there is, you should read this post on conversion branding. Then call me.

Many small companies that are genuinely warm and inviting in person maintain websites that are far too chilly and corporate. They’re trying so hard to look big and important they overlook their own brand personality.

And vice-versa. Banks, utilities and public agencies work hard to make themselves sound friendly and personable online, then disappoint everyone when it comes to actual human interaction. The customer service can’t live up to the brand promise.

Ideally, you want to align the look, feel and functionality of your website with the brand personality, culture and operation of your company.

Easier said than done.

You can’t just re-write the copy of the “about us” section and call it good web makeover. You have to go back to an honest assessment of your brand… To your core values and your main messages that always seem to get relegated to internal documents and forgettable, corporate mission statements.

That should be the inspiration for your website redesign, as well as your office revamp. Not the latest advances in widget technology or a new line of Herman Miller office chairs.

It’s the message, stupid!

Getting the message right and communicating it quickly and clearly is the single most important goal for your website makeover. Far more important than impressing people with technology. (Unless you’re in the technology business.)

So before you sign a lease on a new office space or launch a website initiative, go back to your brand book for inspiration.

If you don’t have one, call me.

6 A brand worth watching. And flying.

Here’s a news flash for all of you who are 35 or under: Flying wasn’t always this bad. There was a time when racking up frequent flyers miles was, actually, a little glamorous. You could fly the friendly skies and have a pleasant time. Sometimes it even lived up to the advertised brand experience.

Sorry you missed it.

In the age of strip searches, baggage fees and laptop bans, most airlines are as bad as Greyhound busses. Cattle have it better on the way to the slaughterhouse. Every time I board a flight I think, “wow, there’s gotta be an opportunity here for an airline to do things differently.”

Sure enough, a small start-up airline out of Toronto is jumping in, and turning the clock back to better days in coach.

Porter airlines brand advertsingIt’s too early to tell if Porter Airlines will become a success story in the airline industry, but there’s a lot to be learned from their launch. From a branding standpoint, they’ve done it right.

In 2006, Robert Deluce, Porter’s CEO, made a conscious decision to build his airline around the brand, and vice-versa. According to Marketing News, he approached branding agencies with his vision, a business plan and a well-defined value proposition built on three things: speed, convenience and customer service.

Convenience was guaranteed by making Toronto’s City Center Airport the home base, eliminating a long commute from Pearson International. Speediness comes from fast turboprop planes and streamlined check-in and baggage service. And customer service… well the bar was pretty low, and Porter’s a fairly small airline, so it’s been easy to provide service that one customer described as “a real joy.”

Early on, Winkreative, a branding firm with offices in London, New York and Tokyo, was hired to coordinate the entire affair. They handled everything from naming the company to the interior design of the airplanes, website development and furniture selection in the airline’s lounge.

Rather than splitting it up between three or four firms, it was a well-coordinated effort based on a solid brand premise and a single creative approach. And it’s carried through in every aspect of the operation.

“It was meant to be something fresh, something innovative, something stylish,” Deluce said. “There’s a part of it that’s a throwback to the past… to a time when travel was a bit more fun.”

I love the simplicity of the name. “Porter” conveys how the airline would carry passengers with care and help lighten their load. And the tagline, “flying refined,” sums it up without pouring on the fluff.

Thankfully, the graphic design falls in line perfectly with the idea of refinement. If you say you’re refined, you better look refined!

The sophisticated, subdued color palette and the quirky raccoon character work tremendously well together. Sorta reminds me of Olympic mascots from years past. You can debate the wisdom of using a raccoon, but the design work is fun, distinctive and superbly executed in every medium. No one’s going to forget it once they’ve experienced it.

Porter airlines branding case study airline brandFrom the blog, Design Sponge: “This Canadian boutique airline is the most well-designed airline I’d ever been on and seemingly every detail had been given a lot of thought (including their adorable lunch boxes and chic on-board magazine named Re:Porter).

But the Porter brand is a lot more than just pretty pictures and a fancy in-flight magazine. From what I’ve heard and read, the entire operation is living up to its brand promise and exceeding expectations.

Travelocity says: “From top to bottom, inside and out, Porter Airlines has raised the bar. This new standard in air travel is evident not only in their ultra-modern facilities, but also in the quality of their staff. Each team member has been specially selected and trained to put travelers first with impeccable and innovative service.”

Nine out of ten customer reviews on SkyTrax are overwhelmingly positive.: “It’s exactly what it advertises: flying in style… thanks for bringing back the type of air travel everyone should experience and expect!”

And after scouring the travel blogs, I couldn’t find a single negative review.

From the World Hum travel blog: “I loved flying Porter Airlines… A smooth operation, friendly staff, and free snacks. It was a pleasant reminder that air travel doesn’t have to be a succession of minor inconveniences and discomforts.”

Many people have never known anything but discomfort and inconvenience in air travel. So for them, Porter will be an entirely new experience, somewhat foreign and unexpected. And once they’ve flown Porter, their perception of the other brands will be forever tainted.

For older generations, Porter is a throw-back. An emotional trigger that harkens back to a simpler time when all the airlines did a better job.

I haven’t flown Porter, but I hope to. (It’s almost enough to justify a trip to my grandma’s hometown in Nova Scotia.) I hope they can succeed in a tremendously difficult and competitive industry. I hope they can scale up their operation without sacrificing the heart of the Porter brand. And I hope more airlines follow suit.

But I’m not optimistic. Few airlines are built on such a solid brand premise, and most are just too darn big to change direction in any substantive way. So the opportunity for little carriers like Porter, will still be here for the taking.

If they can just remember those good ‘ol days.

1 A bad idea for brands: The logo contest.

Sometimes the most powerful case studies fall into the “what NOT to do” category. Take, for instance, a new branding initiative from the Australian Ministry of Tourism.

It’s a big deal down under.

This isn’t some neighborhood non-proft looking for a new logo for their newsletter. This is a multi-national marketing effort for a nation of 21 million people that consistently ranks as one of the world’s most popular nation-brands.

They’re going to spend 20 million dollars next year promoting their new brand to the rest of the world. And they’re launching the effort with a logo contest. Grand prize: $2500.

What’s wrong with that picture? How much great branding work do you suppose they’ll get in exchange for a slim chance at $2500?

The problem with contests is they attract the youngest, hungriest designers with the skinniest portfolios around. Serious pros won’t touch it because it’s not enough money and the odds of success are too slim.

The Austrailian government received 362 entries and have now culled the uruly collection down to only 200 or so. (to see some entries click here: )

http://www.designbay.com/brand-australia-contest/

Beyond Kangaroos... Australia's new brand

But I’m not even going to address the subjective, artistic side of this. (I think the samples say it all.) Instead, let’s look at the steps in the branding process that are always ignored in a contest environment. Like brand strategy and a clearly defined creative brief.

Here’s what the brief says for the Australian assignment:

“Designers and contest participants should submit ideas for a contemporary Australia brand that captures the essence of the nation and presents Australia as a great place for living, holidaying, education, business, manufacturing, agriculture and investment. Submissions should articulate as clearly as possible Australia’s brand position in the context of the global marketplace and help the Government capture “the vibrancy, energy and creative talents of Australia”.

What brand position? How can they possibly “capture the essence of a nation” when there’s nothing on the website or on any links that even hints at a brand strategy document? The young art school grads are left to figure out the strategy on their own…

“Designers and contest participants may choose to spend time researching Australia and its current brand.”

“May choose to??? Any good branding firm would insist on it.

Research is the foundation of any truly professional branding effort. But the graphic designers who enter contests are not the people doing the research and the strategic thinking. It’s not in their DNA. They’re involved later in the artistic, execution phase. But if you skip the strategic piece, the designers have no direction. They’re just throwing darts, hoping something will stick.

Taglines are always a good reflection of the strategy. If the lines are random, like the list below, the strategy is clearly missing.

Australia “The heart of many nations.”

Australia “Lighting up the world.”

Australia “Make it real.”

Australia “Live it up down under.”

Australia “It’s real noice.”

Australia “The inside story”

Australia “It all happens here.”

Which is it? Without a thorough brand strategy document it’s virtually impossible to judge the 362 taglines in any objective way.

And here’s where it gets really messed up. The public gets to vote! With no strategy, no experience and no information whatsoever, the average Joe gets a say in the branding of a nation.

I’ve often seen the results of these contests fail completely. The client pays the prize money but ends up with nothing useable. Then it’s back to the drawing board with a firm that actually knows what they’re doing.

Developing a brand strategy is not easy. It takes discipline, creativity and thorough research. But it’s a required element for success. Contest or no contest.

1 Garbage In, Garbage Out — How to get effective advertising from your agency.

Took a load to the local dump the other day. As I hucked yard debris and unwanted consumer goods out the back of the truck, I got to thinking about waste in advertising.

There are mountains of it, even in this age of informed metrics and marketing ROI.

As an agency copywriter I spent months — years even — working on poorly defined assignments and campaigns that went nowhere. More often than not, we simply didn’t have anything insightful to go on. It wasn’t a lack of creative juice… we always had lots of good ideas. The problem was lack of direction.

After a few rounds of constructive criticism and outright rejection, we either had to come up with a strategic nugget of our own, or continue throwing conceptual darts, hoping something would stick. Not a good arrangement, for either party.

So here’s some insider’s advice on how to work efficiently with your ad agency. It’s not rocket science. If you want the creative product to be effectively memorable, you’ll need to do your part. Most importantly, you should provide concise strategic input and stay actively involved in the planning phase of the advertising process.

Because it really is a case of garbage in, garbage out. And there’s already too much garbage out there.

yorba_linda_landfillAvoid the landfill with a good Creative Brief.

Every agency has its own version of the Creative Brief. Creative teams rely almost entirely on this document, so the only way you can be sure your ads will be on target is to agree on the strategy mapped out in the brief.

Jon Steele, Account Planner, account planner on “Got Milk,” says a good creative brief should accomplish three things:

“First, it should give the creative team a realistic view of what their advertising needs to, and is likely to, achieve.

Second, it should provide a clear understanding of the people who the advertising must address.

And finally, it needs to give clear direction on the message to which the target audience seems most likely to be susceptible.”

In a nutshell, he says the creative brief “is the bridge between smart strategic thinking and great advertising.”

Unfortunately, smart strategic thinking is often lacking in the small-agency environment. Agencies pay lip service to it, just like they pay lip service to doing “breakthrough creative.” In reality, most small agencies simply don’t think things through very well before the creative teams begin working.

Perfectly natural considering the creative product is their only deliverable. Everyone wants to get to the good stuff, ASAP.

Sergio Zyman, former CMO with Coke-a-Cola, says “ strategies provide the gravitational pull that keeps you from popping off in all different directions.” Likewise, the creative brief is the strategic roadmap that keeps all your agency people — the researchers, creatives, media planners, programmers and AEs — heading in the same direction.

Drafting a truly insightful brief is both a creative and a strategic exercise. Andrew Cracknell, Former Executive Creative Director at Bates UK, says “planners take the first leap in imagination.”

Steele says the brief should not only inform the creative team, but inspire them. Instead of just listing the problems that the creative team will face, a great brief offers solutions. In the case of “Got Milk”, the brief said ditch the “good for you” strategy and focus instead on deprivation… what happens when you’re out of milk. The creative team took it from there.

So if you’re a client, insist on staying involved until the creative brief is absolutely nailed down. Then sign off on it, and set the creative team free, in the right direction.

Then, when they present the creative product, you can judge not on subjective terms, but on one simple objective question: Does it follow the brief in a memorable way?

Don’t overwhelm them with data.

Advertising people don’t look at business like MBAs do. And as a general rule, they hate forms. So don’t expect your creative team to glean much inspiration from sales reports and spread sheets. And don’t assume they understand the fundamental metrics of your industry.

You need to have your elevator pitch and your essential marketing challenges nailed down in layman’s terms. Before you go to an agency or a freelance creative team. As Zyman said, “If you want to establish a clear image in the mind of the consumer, you first have to have a clear image in your own mind.”

Do a presentation for the agency… present your version of the facts, and then engage them in dialog. It’ll force you to focus on strategic thinking and it can generate tremendous team energy. But don’t be surprised if they question your most fundamental assumptions. That’s what they do.

Remember, advertising people are specialists.

Don’t expect your agency team to grasp all the nuances of your business. Even though agencies often claim to immerse themselves in your business, all they really care about are creative forms of communication. “What are we going to say, and how are we going to say it.”

If you want someone who understands balance sheets and stock option restructuring, hire a consulting firm.

It’s unfortunate that so many ads are nothing but garbage. But if you have your act together from a strategic branding standpoint, and stick to the process, a good agency can be a tremendous asset. It’s a classic win-win arrangement: They can win awards, and you can win business.

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1 A lesson on the importance of logos – from summer camp.

Roll up the sleeping bag. Pack the bug spray and the spf 30. It’s time for camp… an annual summer ritual, for parents and kids alike.

Summer-Camps-HomeEvery year, when I part with my kids for two weeks, the memories come flooding back. Like the lyrics of my favorite old campfire song…

There’s a hole in the bottom of the sea. There’s a hole, there’s a hole, there’s a hole in the bottom of the sea.

There’s log in the hole in the bottom of the sea.

There’s a knot on the log in the hole in the bottom of the sea.

There’s a frog on the knot on the log in the hole in the bottom of the sea.

There’s a wart on the frog on the knot on the log in the hole in the bottom of the sea.

There’s a hair on the wart on the frog on the knot on the log in the hole in the bottom of the sea.

There’s a germ on the hair on the wart on the frog on the knot on the log in the hole in the bottom of the sea.

What’s that silly old song have to do with branding?

The germ on the hair on the wart on the frog is your logo. Its just one, eentsy part of a much bigger branding effort.

Don’t let any graphic designer tell you differently.

I love great design work. I’ve been collaborating with designers and art directors my entire career, and it’s often fun and rewarding work. But a new mark does not constitute a “branding effort.”

Many design firms and branding companies go to great lengths to deliver a new mark and type treatment. They’ll do research that proves you need a new logo, and they’ll devise extravagant reasoning for their graphic solution. But that’s as far as it goes. All the other components of branding — the bigger issues — are left to the client to handle.

From a broader, business perspective, logo design is but a speck on the pimple of that frog. So if you’re a designer designing logos, do your thing. By all means. Just don’t sell it as something more than it really is.

And if you’re a client, don’t kid yourself. That expensive new logo isn’t going to make up for mediocrity in other departments, like customer service. It’s not going to plug the gaping hole in your operations or compensate for a crummy, me-too product.

Actions speak louder than logos. It’s what you do as a company, and what you believe in, that make a brand. Not just how your logo looks reversed out of a dark background.

So if you’re thinking of redesigning your logo, I suggest you look a little deeper. Take the opportunity to assess every aspect of your business, and ask yourself this? Am I seeing the bigger brand picture, or just the germ on the hair on the wart on the frog?

1 A new spin on the Pepsi logo.

The new Pepsi logo is generating hives of buzz in branding and design circles. It’s not surprising… whenever you start messing around with one of the world’s most recognized commercial icons, people are going to talk.

image_pepsi_newcan1But it’s not like grocery carts are piling up in the beverage isle while soccer moms wax eloquent about the new design aesthetic. The general public could care less. Nope, the initial armchair quarterbacking was limited to graphic design forums and beverage industry trade pubs.

“I love it.”

“I hate it.”

“It looks like the Obama logo.”

“It’s not young enough.”

“It’s static, empty and vaguely bland.”

“It’s demonic brainwashing.”

All the usual responses to a major branding makeover. But now, since the “rationale” for the new logo is circulating on the web, the debate has taken on a viral life of its own.

The 27-page design brief entitled “Breathtaking” reads like a scientific white paper loaded with marketingese and unprecedented levels of highly creative BS. In fact, Fast Company Magazine called it branding lunacy…

“Every page of this document is more ridiculous than the last ending with a pseudo-scientific explanation of how Pepsi’s new branding identity will manifest it’s own gravitational pull.”

The L.A. Times was equally critical:

“Behold, then, the scattered and burning debris field of one of corporate America’s most misbegotten image makeovers… According to the brief, the new Pepsi logo lies along a trajectory of human consciousness that includes in its arc the Vastu Shastra, a 3,000-year-old Hindu architectural guide; Pythagoras (the Golden Section); the Roman architect Vitruvius; the Fibonacci series; Descartes; and Corbusier.”

Oooookay.

Get a load of it at: http://drop.io/pepsipdf/asset/pepsi-gravitational-field-pdf

(Kinda reminds me of the rationale used to justify an empty blue rectangle for the Nationwide Insurance Logo. But in this case, the design itself isn’t that bad.)

Maybe the controversy is what the design firm, Arnell, had in mind all along. There’s talk of the whole thing being a hoax, that Arnell created the document after the fact just to poke fun at their critics and generate media attention. If that’s the case, the stunt has backfired, big time.

The brief makes Arnell look like corporate bandits. It makes Pepsi look bad for buying into the rationale. And it discredits the entire branding industry. It’s hard enough to get c-level executives to take branding seriously, without this kind of nonsense floating around.

Great design speaks for itself. You don’t need a physics thesis to explain it. It just works.

My 11 year-old daughter likes the new Pepsi logo. (Says it makes her happy.) And now that I’ve read the exhaustive brief, I know why…

pepsi-happy-facesIt’s a smiley face! An overanalyzed, underwhelming, million dollar smiley face. It even comes in a variety of grin sizes. (Apparently regular ol’ Pepsi gets a smaller grin than the newer versions of Pepsi, like Pepsi Max. Whatever that is.)

Pepsi’s going to spend more than a billion dollars redoing all their packaging, vending machines, trucks, POP materials and everything else. The new logo’s going to be EVERYWHERE!

So I’m kinda glad Arnell changed the old wavy logo into a smiley face. I’m just not sure about their methods.

Subscribe to my rss feed and get an alert everytime I post. Coming up… more on why ad agency execs and designers just can’t shut up when presenting work.